Evidence map›Paper›PMID 38271338›Full record

ArticleProceedings of the National Academy of Sciences of the United States of America2024

Bodily maps of musical sensations across cultures.

Vesa Putkinen, Xinqi Zhou, Xianyang Gan, Linyu Yang, Benjamin Becker, Mikko Sams, Lauri Nummenmaa

Abstract read
In one paragraph

Article in Proceedings of the National Academy of Sciences of the United States of America, 2024. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 19 papers.

0numbers the graph read from it
0cells of the map it votes in
19citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

19 citing papers in PubMed.

  1. Trial
  2. Expressing emotions through music.Philosophical transactions of the Royal Society of London. Series B, Biological sciences · 2026
    Review
  3. Article
  4. Politics embodied: How politics shapes and is shaped by the bodily experience of emotions.Proceedings of the National Academy of Sciences of the United States of America · 2026
    Article
  5. Article
  6. Article
  7. Article
  8. Article
  9. Article
  10. Pleasurable music activates cerebral µ-opioid receptors: a combined PET-fMRI study.European journal of nuclear medicine and molecular imaging · 2025
    Article
  11. Article
  12. Article
  13. Article
  14. Article
  15. Review
  16. Article
  17. Article
  18. Article
  19. Bodily maps of musical sensations across cultures.Proceedings of the National Academy of Sciences of the United States of America · 2024
    Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

7 authors.

Vesa Putkinen *Turku PET Centre, University of Turku, Turku 20520, Finland.ORCID 0000-0002-7457-191X
Xinqi Zhou *Institute of Brain and Psychological Sciences, Sichuan Normal University, Chengdu 610066, China.ORCID 0000-0002-5032-9141
Xianyang GanThe Center of Psychosomatic Medicine, Sichuan Provincial Center for Mental Health, Sichuan Provincial People's Hospital, University of Electronic Science and Technology of China, Chengdu 610072, China.
Linyu YangCollege of Mathematics, Sichuan University, Chengdu 610064, China.
Benjamin BeckerState Key Laboratory of Brain and Cognitive Sciences, The University of Hong Kong, Hong Kong, China.ORCID 0000-0002-9014-9671
Mikko SamsDepartment of Neuroscience and Biomedical Engineering, School of Science, Aalto University, Espoo 00076, Finland.ORCID 0000-0002-1992-484X
Lauri NummenmaaTurku PET Centre, University of Turku, Turku 20520, Finland.ORCID 0000-0002-2497-9757

Funding

Academy of Finland (AKA) 350416
6 · The paper itself

Abstract

Emotions, bodily sensations and movement are integral parts of musical experiences. Yet, it remains unknown i) whether emotional connotations and structural features of music elicit discrete bodily sensations and ii) whether these sensations are culturally consistent. We addressed these questions in a cross-cultural study with Western (European and North American, n = 903) and East Asian (Chinese, n = 1035). We precented participants with silhouettes of human bodies and asked them to indicate the bodily regions whose activity they felt changing while listening to Western and Asian musical pieces with varying emotional and acoustic qualities. The resulting bodily sensation maps (BSMs) varied as a function of the emotional qualities of the songs, particularly in the limb, chest, and head regions. Music-induced emotions and corresponding BSMs were replicable across Western and East Asian subjects. The BSMs clustered similarly across cultures, and cluster structures were similar for BSMs and self-reports of emotional experience. The acoustic and structural features of music were consistently associated with the emotion ratings and music-induced bodily sensations across cultures. These results highlight the importance of subjective bodily experience in music-induced emotions and demonstrate consistent associations between musical features, music-induced emotions, and bodily sensations across distant cultures.

Indexed as

MusicAcousticsAuditory PerceptionCross-Cultural ComparisonEmotionsHumansSensationbodycross-culturalemotionmusic

Identifiers

PMID38271338
PMCPMC10835118

What OpenQuestion holds

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LicenceCC BY
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Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.