Evidence map›Paper›PMID 37833336›Full record

ArticleScientific reports2023

Unravelling the skills and motivations of Magdalenian artists in the depths of Atxurra Cave (Northern Spain).

Diego Garate, Olivia Rivero, Joseba Rios-Garaizar, Mª Ángeles Medina-Alcaide, Martin Arriolabengoa, Iñaki Intxaurbe, Juan F Ruiz-López, Ana Belén Marín-Arroyo, Juan Rofes, Paula García Bustos and 2 more

Abstract read
In one paragraph

Article in Scientific reports, 2023. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 2 papers.

0numbers the graph read from it
0cells of the map it votes in
2citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

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3 · Its place in the literature

Who cites it

2 citing papers in PubMed.

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4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

12 authors.

Diego GarateInstituto Internacional de Investigaciones Prehistóricas de Cantabria (IIIPC), Universidad de Cantabria, 39005, Santander, Spain. diego.garate@unican.es.
Olivia RiveroDepartamento Prehistoria, Historia Antigua y Arqueología, Universidad de Salamanca, 37008, Salamanca, Spain.
Joseba Rios-GaraizarArkeologi Museoa, Calzadas de Mallona s/n, 48006, Bilbao, Spain.
Mª Ángeles Medina-AlcaideCNRS, Ministère de la Culture, PACEA, UMR 5199, Université de Bordeaux, 33600, Pessac, France.
Martin ArriolabengoaDepartamento de Geología, Euskal Herriko Unibertsitatea/Universidad del País Vasco, 48940, Leioa, Spain.
Iñaki IntxaurbeDepartamento de Geología, Euskal Herriko Unibertsitatea/Universidad del País Vasco, 48940, Leioa, Spain.
Juan F Ruiz-LópezDepartamento de Historia, Universidad de Castilla La Mancha, 13071, Ciudad Real, Spain.
Ana Belén Marín-ArroyoEvoadapta, Departamento de Ciencias Históricas, Universidad de Cantabria, 39005, Santander, Spain.
Juan RofesSchool of Archaeology, University of the Philippines Diliman, 1101, Quezon City, Philippines.
Paula García BustosDepartament d'Història i Arqueologia, Universitat de Barcelona, Carrer de Montalegre 6, 08001, Barcelona, Spain.
Antonio TorresInstituto Internacional de Investigaciones Prehistóricas de Cantabria (IIIPC), Universidad de Cantabria, 39005, Santander, Spain.
Sergio SalazarInstituto Internacional de Investigaciones Prehistóricas de Cantabria (IIIPC), Universidad de Cantabria, 39005, Santander, Spain.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Atxurra cave has a decorated assemblage composed of more than a hundred engraved animal depictions. All of them are located in deep parts of the cave and most of them are hidden in raised areas, away from the main path. The main sector is the "Ledge of the Horses", located at 330 m from the entrance of the cave. It is a space of 12 m long and 1.5 m wide, elevated 4 m above the cave floor. This area includes almost fifty engraved and painted animals accompanied by a dozen flint tools, three fireplaces, and around one hundred charcoal fragments from torches. This extraordinary archaeological record allows us to value the complexity of the artistic production inside the caves during the Upper Palaeolithic. Our study has confirmed that there is planning prior to artistic production, both in terms of the iconographic aspects (themes, techniques, formats), its location (visibility, capacity), and the lighting systems. Furthermore, the data indicates the panel was decorated to be seen by third parties from different positions and was expressly illuminated for this purpose. This evidence supports the role of rock art as a visual communication system in Upper Palaeolithic societies.

Indexed as

ArtCavesAnimalsArchaeologyEngraving and EngravingsHorsesMotivationSpain

Identifiers

PMID37833336
PMCPMC10575969

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.