ArticleFrontiers in psychology2023
Emotional cherry picking: the role of personality and goal orientation in selective emotion regulation for musical practice.
Article in Frontiers in psychology, 2023. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 6 papers.
What it found
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The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.
The trial behind it
Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.
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Who cites it
6 citing papers in PubMed, 5 citations in OpenAlex.
- Personality Type Shapes Acute Anxiety Response to Music and Medicine Intervention During First Chemotherapy (PEGASUS-2).Applied psychophysiology and biofeedback · 2026Trial
- Expertise-driven differences in drummers' wrist-muscle motor unit behaviour.Scientific reports · 2026Article
- Symptoms of respiratory illness in wind players and their relationship to instrument hygiene.Scientific reports · 2026Article
- Traffic jams: music and traffic noise interact to influence the vividness, sentiment, and spatiotemporal properties of directed mental imagery.Humanities & social sciences communications · 2026Article
- Scoping Review on the Use of Music for Emotion Regulation.Behavioral sciences (Basel, Switzerland) · 2024Article
- Musicians' pursuit of expertise-related goals is characterised by strategic regulation of functional and counterproductive affect.Frontiers in psychology · 2024Article
Corrections and comments
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Authors and funding
4 authors at 2 institutions in 2 countries.
Funding
No grant is acknowledged in the PubMed record.
Abstract
Introduction: Emotion regulation is an important part of optimising performance and successful goal pursuit in practice-based tasks such as making music. Musicians may regulate their own emotions during the course of their musical practice in order to improve their performance and ultimately attain their practice-related goals. The specific emotions they target may depend upon their personality traits but may also relate to the nature of their goal orientation, and the interaction between the two. This study investigates whether the emotions desired by musicians in their musical practice were dependent on their personality traits and Mastery goal orientation (the desire to master musical and technical skills). Methods: Via an online questionnaire, 421 musicians completed a personality scale and answered questions relating to their mastery practice goals. They also completed emotion scales indicating how strongly they desired to increase or decrease the intensity of specific emotions when practicing. Results: Overall, musicians preferred to up-regulate positive rather than negative emotions [ Discussion: These findings complement existing research that suggests that some Mastery-oriented musicians may seek an emotional state consisting of both positive and negative emotions. This and future studies on this topic may contribute to a better understanding of individual differences in emotion regulation ability as a potential aspect of individualised musical practice strategies.
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Registered trials
Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.