ArticleFrontiers in psychology2023
The role of the body in the experience of installation art: a case study of visitors' bodily, emotional, and transformative experiences in Tomás Saraceno's "
Article in Frontiers in psychology, 2023. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 4 papers.
What it found
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The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.
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Who cites it
4 citing papers in PubMed.
- Is there any (emotional) difference between seeing art in the museum vs. in the lab? A comparative study of phenomenal art experiences of original artworks and digital reproductions.Frontiers in psychology · 2026Article
- Beauty in the shadow of neurodegenerative disease: a narrative review on aesthetic experience, neural mechanisms, and therapeutic frontiers.Frontiers in human neuroscience · 2025Review
- Metaphors or mechanism? Predictive coding and a (brief) history of empirical study of the arts.Philosophical transactions of the Royal Society of London. Series B, Biological sciences · 2024Review
- Editorial: Possible applications of neuroaesthetics to normal and pathological behaviour.Frontiers in neuroscience · 2023Article
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Authors and funding
3 authors.
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Abstract
Installation art, with its immersive and participatory character, has been argued to require the use and awareness of the body, which potentially constitute key parts of the artwork's experience and appreciation. Heightened body awareness is even argued to be a key to particularly profound emotional or even transformative states, which have been frequently ascribed to this genre. However, the body in the experience of installation art has rarely been empirically considered. To address this gap, we investigated the body's role in the experience of Tomás Saraceno's
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