Evidence map›Paper›PMID 37457107›Full record

ArticleJournal of cognition2023

Feeling the Beat: Temporal Predictability is Associated with Ongoing Changes in Music-Induced Pleasantness.

Neomi Singer, Nori Jacoby, Talma Hendler, Roni Granot

Abstract read
In one paragraph

Article in Journal of cognition, 2023. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 6 papers.

0numbers the graph read from it
0cells of the map it votes in
6citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

6 citing papers in PubMed.

  1. Autonomic entrainment to expressive musical phrase structures.European heart journal. Imaging methods and practice · 2026
    Article
  2. Autonomic entrainment to music structure in Verdi opera.European heart journal. Imaging methods and practice · 2026
    Article
  3. Review
  4. Article
  5. Predictive processes shape individual musical preferences.Proceedings of the National Academy of Sciences of the United States of America · 2025
    Article
  6. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

4 authors.

Neomi SingerSagol Brain Institute and department of Neurology, Tel Aviv Sourasky Medical Center, Tel Aviv, Israel.ORCID https://orcid.org/0000-0002-9300-1605
Nori JacobyMax Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.ORCID https://orcid.org/0000-0003-2868-0100
Talma HendlerSagol school of Neuroscience, Tel-Aviv University, Tel Aviv, Israel.ORCID https://orcid.org/0000-0002-4182-4335
Roni GranotMusicology Department, Hebrew University of Jerusalem, Jerusalem, Israel.ORCID https://orcid.org/0000-0002-0711-8322

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Music is a complex phenomenon that elicits a range of emotional responses, influenced by numerous variables, such as rhythm, melody and harmony. One interesting aspect of music is listeners' ability to predict its continuation as it unfolds - an inherent attribute hypothesized to contribute to our emotional response to music. In this study, we investigated this link by examining the relationship between temporal predictability - the ability to predict the timing of the next event - and the ongoing changes in music-induced pleasantness. Temporal predictability was operationalized as the degree to which taps of 20 musically trained participants, who tapped to the beat along three naturalistic and highly contrastive musical pieces, were aligned. We then examined the degree to which this measure could explain the ongoing emotional experience, as reflected in continuous measures of arousal and valence, in a separate group of 40 participants that listened to these pieces. Our findings reveal a positive correlation between fluctuations in reported valence and temporal predictability, even when controlling for a set of other musical features, in four out of five musical sections. The only exception being a lyrical slow section. These findings were further supported by a large online database of annotated musical emotions (n = 1780 songs), where a consistent and robust correlation between valence ratings and an automatically extracted feature of pulse clarity was demonstrated. Overall, our findings shed light on the significance of temporal predictability as a contributing factor to the hedonic experience of music, especially within the tempo range of salient beat perception.

Indexed as

arousal and valenceemotionmusicpredictive-codingtemporal-regularity

Identifiers

PMID37457107
PMCPMC10348017

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Registered trials

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.