Evidence map›Paper›PMID 37401999›Full record

ArticleCognitive research: principles and implications2023

Humans versus AI: whether and why we prefer human-created compared to AI-created artwork.

Lucas Bellaiche, Rohin Shahi, Martin Harry Turpin, Anya Ragnhildstveit, Shawn Sprockett, Nathaniel Barr, Alexander Christensen, Paul Seli

Abstract read
In one paragraph

Article in Cognitive research: principles and implications, 2023. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 23 papers.

0numbers the graph read from it
0cells of the map it votes in
23citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

23 citing papers in PubMed.

  1. Article
  2. Article
  3. Article
  4. Article
  5. Article
  6. Article
  7. Article
  8. Article
  9. Article
  10. Article
  11. Article
  12. Article
  13. Article
  14. Article
  15. Article
  16. Article
  17. Article
  18. Article
  19. Review
  20. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

8 authors.

Lucas BellaicheDepartment of Psychology and Neuroscience, Duke University, 417 Chapel Drive, Durham, NC, 27708, USA. lucas.bellaiche@duke.edu.ORCID 0000-0002-5548-4271
Rohin ShahiDepartment of Psychology and Neuroscience, Duke University, 417 Chapel Drive, Durham, NC, 27708, USA.
Martin Harry TurpinDepartment of Psychology, University of Waterloo, Waterloo, ON, Canada.
Anya RagnhildstveitDepartment of Psychiatry, University of Cambridge, Cambridge, UK.
Shawn SprockettMDes in Interaction Design Program, California College of the Arts, San Francisco, CA, USA.
Nathaniel BarrSchool of Humanities and Creativity, Sheridan College, Oakville, ON, Canada.
Alexander ChristensenPsychology and Human Development, Peabody College, Vanderbilt University, Nashville, TN, USA.
Paul SeliDepartment of Psychology and Neuroscience, Duke University, 417 Chapel Drive, Durham, NC, 27708, USA.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

With the recent proliferation of advanced artificial intelligence (AI) models capable of mimicking human artworks, AI creations might soon replace products of human creativity, although skeptics argue that this outcome is unlikely. One possible reason this may be unlikely is that, independent of the physical properties of art, we place great value on the imbuement of the human experience in art. An interesting question, then, is whether and why people might prefer human-compared to AI-created artworks. To explore these questions, we manipulated the purported creator of pieces of art by randomly assigning a "Human-created" or "AI-created" label to paintings actually created by AI, and then assessed participants' judgements of the artworks across four rating criteria (Liking, Beauty, Profundity, and Worth). Study 1 found increased positive judgements for human- compared to AI-labelled art across all criteria. Study 2 aimed to replicate and extend Study 1 with additional ratings (Emotion, Story, Meaningful, Effort, and Time to create) intended to elucidate why people more-positively appraise Human-labelled artworks. The main findings from Study 1 were replicated, with narrativity (Story) and perceived effort behind artworks (Effort) moderating the label effects ("Human-created" vs. "AI-created"), but only for the sensory-level judgements (Liking, Beauty). Positive personal attitudes toward AI moderated label effects for more-communicative judgements (Profundity, Worth). These studies demonstrate that people tend to be negatively biased against AI-created artworks relative to purportedly human-created artwork, and suggest that knowledge of human engagement in the artistic process contributes positively to appraisals of art.

Indexed as

Artificial IntelligencePaintingsBeautyEmotionsHumansJudgmentAestheticsArtificial intelligenceCreativityJudgementsVisual art

Identifiers

PMID37401999
PMCPMC10319694

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.