Evidence map›Paper›PMID 37325675›Full record

ArticleFrontiers in pain research (Lausanne, Switzerland)2023

Pain through the perspective of art and creativity: insights from the Unmasking Pain project.

Mark I Johnson, Paul Chazot, Frances Cole, Rosemary Cruickshank, Dawn Fuller, Charlotte Keyse, Balbir Singh, Adam J Strickson, Ghazala Tabasam, Emma Tregidden and 2 more

Abstract read
In one paragraph

Article in Frontiers in pain research (Lausanne, Switzerland), 2023. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 8 papers.

0numbers the graph read from it
0cells of the map it votes in
8citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

8 citing papers in PubMed.

  1. Article
  2. Exploring magical thinking in the context of pain.Frontiers in pain research (Lausanne, Switzerland) · 2026
    Article
  3. Review
  4. Article
  5. Article
  6. Article
  7. Article
  8. Review
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

12 authors.

Mark I JohnsonCentre for Pain Research, Leeds Beckett University, Leeds, United Kingdom.
Paul ChazotPain Challenge Academy, Wolfson Research Institute for Health and Wellbeing, Durham University, Durham, United Kingdom.
Frances ColePain Challenge Academy, Wolfson Research Institute for Health and Wellbeing, Durham University, Durham, United Kingdom.
Rosemary CruickshankINPUT Pain Management, Guy's and St Thomas' NHS Foundation Trust, London, United Kingdom.
Dawn FullerSpace2 Leeds, Leeds, United Kingdom.
Charlotte KeysePain Challenge Academy, Wolfson Research Institute for Health and Wellbeing, Durham University, Durham, United Kingdom.
Balbir SinghBalbir Singh Dance Company, Leeds, United Kingdom.
Adam J StricksonSchool of Performance and Cultural Industries, Faculty of Arts, Humanities and Cultures, University of Leeds, Leeds, United Kingdom.
Ghazala TabasamCentre for Pain Research, Leeds Beckett University, Leeds, United Kingdom.
Emma TregiddenSpace2 Leeds, Leeds, United Kingdom.
Kate ThompsonCentre for Pain Research, Leeds Beckett University, Leeds, United Kingdom.
James WoodallCentre for Pain Research, Leeds Beckett University, Leeds, United Kingdom.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

People struggle to tell their story of living with pain and when they do it is articulated in a way that may not be understood, heard or taken seriously. Unmasking Pain is an artist-led project that explored creative approaches to tell stories of life with pain. The project was led by a dance theatre company that specialises in storytelling and emotional experiences for players and audiences. The project involved artists and people living with ongoing pain co-creating activities and environments to curiously explore "oneself", through imagination and creative expression. This article discusses insights and perspectives emerging from the project. The project revealed the power of art to make-sense of oneself with or without pain, and how art facilitates expression of complex inner experience and personal stories. People described Unmasking Pain as "explorative joy despite pain", and "a new set of rules" that contrasts with those experienced during clinical encounters. We discuss how art has the potential to improve clinical encounters and promote health and well-being, and whether artist-led activities are an intervention, therapy, or something else. Pain rehabilitation specialists from the project described Unmasking Pain as "freeing-up thinking", allowing conceptual thought beyond the biopsychosocial model of pain. We conclude that art has the potential to shift people living with pain from "I can't do, I am not willing to do it" to "Perhaps I can, I'll give it a go, I enjoyed".

Indexed as

artcreativitypainpain conceptspain management

Identifiers

PMID37325675
PMCPMC10267741

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.