Evidence map›Paper›PMID 37134073›Full record

ArticlePloS one2023

Psychophysiological and behavioral responses to descriptive labels in modern art museums.

Serena Castellotti, Ottavia D'Agostino, Angelica Mencarini, Martina Fabozzi, Raimondo Varano, Stefano Mastandrea, Irene Baldriga, Maria Michela Del Viva

Abstract read
In one paragraph

Article in PloS one, 2023. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 5 papers.

0numbers the graph read from it
0cells of the map it votes in
5citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

5 citing papers in PubMed.

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4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

8 authors.

Serena CastellottiDepartment of NEUROFARBA, University of Florence, Florence, Italy.ORCID 0000-0001-8886-7861
Ottavia D'AgostinoDepartment of NEUROFARBA, University of Florence, Florence, Italy.
Angelica MencariniDepartment of NEUROFARBA, University of Florence, Florence, Italy.
Martina FabozziDepartment of NEUROFARBA, University of Florence, Florence, Italy.
Raimondo VaranoDepartment of NEUROFARBA, University of Florence, Florence, Italy.
Stefano MastandreaDepartment of Education, Roma Tre University, Roma, Italy.
Irene BaldrigaDepartment of SARAS, Sapienza University, Roma, Italy.
Maria Michela Del VivaDepartment of NEUROFARBA, University of Florence, Florence, Italy.ORCID 0000-0001-6332-4959

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Educational tools in art exhibitions seem crucial to improve the cultural and aesthetic experience, particularly of non-expert visitors, thus becoming a strategic goal for museums. However, there has not been much research regarding the impact of labels on the quality of visitors' aesthetic experience. Therefore, here we compared the impact on the cognitive and emotional experience of naïve visitors between essential and descriptive labels, through multiple objective and subjective measurements, focusing on the controversial modern art museum context. We found that, after detailed descriptions, observers spend more time inspecting artworks, their eyes wander more looking for the described elements, their skin conductance and pupil size increase, and overall, they find the content less complex and more arousing. Our findings show that people do receive important benefits from reading detailed information about artworks. This suggests that elaborating effective labels should be a primary goal for museums interested in attracting a non-expert public.

Indexed as

ArtMuseumsEmotionsEstheticsHumansPsychophysiology

Identifiers

PMID37134073
PMCPMC10155981

What OpenQuestion holds

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Registered trials

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.