Evidence map›Paper›PMID 37010831›Full record

ArticleJournal of vision2023

Anger is red, sadness is blue: Emotion depictions in abstract visual art by artists and non-artists.

Claudia Damiano, Pinaki Gayen, Morteza Rezanejad, Archi Banerjee, Gobinda Banik, Priyadarshi Patnaik, Johan Wagemans, Dirk B Walther

Abstract read
In one paragraph

Article in Journal of vision, 2023. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 8 papers.

0numbers the graph read from it
0cells of the map it votes in
8citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

8 citing papers in PubMed.

  1. Article
  2. Review
  3. Article
  4. Article
  5. The Beholder's Share: Bridging art and neuroscience to study individual differences in subjective experience.Proceedings of the National Academy of Sciences of the United States of America · 2025
    Article
  6. Article
  7. Article
  8. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

8 authors.

Claudia DamianoDepartment of Brain and Cognition, KU Leuven, Leuven, Belgium.
Pinaki GayenDepartment of Design, Kala Bhavana, Visva Bharati University, Shantiniketan, India.
Morteza RezanejadDepartment of Psychology, University of Toronto, Toronto, ON, Canada.
Archi BanerjeeRekhi Centre of Excellence for the Science of Happiness, Indian Institute of Technology, Kharagpur, India.
Gobinda BanikDepartment of English, Basirhat College, Basirhat, India.
Priyadarshi PatnaikRekhi Centre of Excellence for the Science of Happiness, Indian Institute of Technology, Kharagpur, India.
Johan WagemansDepartment of Brain and Cognition, KU Leuven, Leuven, Belgium.
Dirk B WaltherDepartment of Psychology, University of Toronto, Toronto, ON, Canada.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Through the manipulation of color and form, visual abstract art is often used to convey feelings and emotions. Here, we explored how colors and lines are used to express basic emotions and whether non-artists express emotions through art in similar ways as trained artists. Both artists and non-artists created abstract color drawings and line drawings depicting six emotions (i.e., anger, disgust, fear, joy, sadness, and wonder). To test whether people represented basic emotions in similar ways, we computationally predicted the emotion of a given drawing by comparing it to a set of references created by averaging across all other participants' drawings within each emotion category. We found that prediction accuracy was higher for color drawings than line drawings and higher for color drawings by non-artists than by artists. In a behavioral experiment, we found that people (N = 242) could also accurately infer emotions, showing the same pattern of results as our computational predictions. Further computational analyses of the drawings revealed systematic use of certain colors and line features to depict each basic emotion (e.g., anger is generally redder and more densely drawn than other emotions, sadness is more blue and contains more vertical lines). Taken together, these results imply that abstract color and line drawings are able to convey certain emotions based on their visual features, which are also used by human observers to understand the intended emotional connotation of abstract artworks.

Indexed as

Facial ExpressionSadnessAngerEmotionsHumansVisual Perception

Identifiers

PMID37010831
PMCPMC10080919

What OpenQuestion holds

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LicenceCC BY-NC-ND
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Registered trials

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.