Evidence map›Paper›PMID 36949277›Full record

ArticleCognitive, affective & behavioral neuroscience2023

Individuals with congenital amusia remember music they like.

Yohana Lévêque, E Glenn Schellenberg, Lesly Fornoni, Patrick Bouchet, Anne Caclin, Barbara Tillmann

Open access · bronzeAbstract read
PubMed Publisher
In one paragraph

Article in Cognitive, affective & behavioral neuroscience, 2023. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

0numbers the graph read from it
0cells of the map it votes in
0citing papers in PubMed
0.2field-weighted citation impact, top 55% of its field
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

0 citing papers in PubMed, 1 citations in OpenAlex.

No citing paper in PubMed yet.

4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

6 authors at 2 institutions in 4 countries.

Yohana LévêqueLyon Neuroscience Research Center, CNRS, UMR5292, INSERM, U1028, F-69000, Lyon, France. yohana.leveque@inserm.fr.ORCID 0000-0003-2210-2182
E Glenn SchellenbergCentro de Investigação e Intervenção Social (CIS-IUL), Instituto Universitário de Lisboa (ISCTE-IUL), Lisboa, Portugal.ORCID 0000-0003-3681-6020
Lesly FornoniLyon Neuroscience Research Center, CNRS, UMR5292, INSERM, U1028, F-69000, Lyon, France.ORCID 0000-0003-0239-4165
Patrick BouchetLyon Neuroscience Research Center, CNRS, UMR5292, INSERM, U1028, F-69000, Lyon, France.
Anne CaclinLyon Neuroscience Research Center, CNRS, UMR5292, INSERM, U1028, F-69000, Lyon, France.ORCID 0000-0003-1367-5923
Barbara TillmannLyon Neuroscience Research Center, CNRS, UMR5292, INSERM, U1028, F-69000, Lyon, France.ORCID 0000-0001-9676-5822
Université Claude Bernard Lyon 1 · FRIscte – Instituto Universitário de Lisboa · PT

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Music is better recognized when it is liked. Does this association remain evident when music perception and memory are severely impaired, as in congenital amusia? We tested 11 amusic and 11 matched control participants, asking whether liking of a musical excerpt influences subsequent recognition. In an initial exposure phase, participants-unaware that their recognition would be tested subsequently-listened to 24 musical excerpts and judged how much they liked each excerpt. In the test phase that followed, participants rated whether they recognized the previously heard excerpts, which were intermixed with an equal number of foils matched for mode, tempo, and musical genre. As expected, recognition was in general impaired for amusic participants compared with control participants. For both groups, however, recognition was better for excerpts that were liked, and the liking enhancement did not differ between groups. These results contribute to a growing body of research that examines the complex interplay between emotions and cognitive processes. More specifically, they extend previous findings related to amusics' impairments to a new memory paradigm and suggest that (1) amusic individuals are sensitive to an aesthetic and subjective dimension of the music-listening experience, and (2) emotions can support memory processes even in a population with impaired music perception and memory.

Indexed as

Auditory Perceptual DisordersMusicAcoustic StimulationHumansPitch PerceptionAmusiaEmotionMemoryMusicRecognition

Identifiers

PMID36949277
OpenAlexW4353032086

What OpenQuestion holds

Textmetadata
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.