Evidence map›Paper›PMID 36186277›Full record

ArticleFrontiers in psychology2022

Wrapped into sound: Development of the Immersive Music Experience Inventory (IMEI).

Yves Wycisk, Kilian Sander, Reinhard Kopiez, Friedrich Platz, Stephan Preihs, Jürgen Peissig

Abstract read
In one paragraph

Article in Frontiers in psychology, 2022. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 4 papers.

0numbers the graph read from it
0cells of the map it votes in
4citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

4 citing papers in PubMed.

  1. Article
  2. Article
  3. Article
  4. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

6 authors.

Yves WyciskInstitute for Musicology, Hanover University of Music, Drama, and Media, Hanover, Germany.
Kilian SanderInstitute for Musicology, Hanover University of Music, Drama, and Media, Hanover, Germany.
Reinhard KopiezInstitute for Musicology, Hanover University of Music, Drama, and Media, Hanover, Germany.
Friedrich PlatzInstitute for Musicology, Music Pedagogy and Aesthetic, State University of Music and Performing Arts Stuttgart, Stuttgart, Germany.
Stephan PreihsInstitute of Communication Technology, Leibniz University Hanover, Hanover, Germany.
Jürgen PeissigInstitute of Communication Technology, Leibniz University Hanover, Hanover, Germany.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Although virtual reality, video entertainment, and computer games are dependent on the three-dimensional reproduction of sound (including front, rear, and height channels), it remains unclear whether 3D-audio formats actually intensify the emotional listening experience. There is currently no valid inventory for the objective measurement of immersive listening experiences resulting from audio playback formats with increasing degrees of immersion (from mono to stereo, 5.1, and 3D). The development of the Immersive Music Experience Inventory (IMEI) could close this gap. An initial item list (

Indexed as

3D audioemotionimmersionitem response theorymany-facet Rasch measurementmusicpsychometrics

Identifiers

PMID36186277
PMCPMC9524455

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.