Evidence map›Paper›PMID 35921262›Full record

Trial reportPloS one2022

Tune out pain: Agency and active engagement predict decreases in pain intensity after music listening.

Claire Howlin, Alison Stapleton, Brendan Rooney

2 registry-linked trialsOpen access · goldAbstract readRandomized Controlled Trial
In one paragraph

Trial report in PloS one, 2022. The graph could read no effect estimate from its abstract, so it casts no vote on the map. It is linked to 2 registered trials, which are not on this map. Cited by 18 papers.

0numbers the graph read from it
0cells of the map it votes in
18citing papers in PubMed
6.5field-weighted citation impact, top 3% of its field
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

NCT06016621 narecruitingnot on this mapstarted 2023, after this paper: background citation

A Randomised Controlled Trial on the Effectiveness of Improvisational Music Therapy for Autistic Children Aged 7 - 11 [Autism-CHIME Trial].

TypeinterventionalSponsorProf Simon Baron-CohenRan2023 to 2025Enrolled240ConditionsAutismArmsImprovisational Music Therapy
NCT06286137 nacompletednot on this mapstarted 2024, after this paper: background citation

Duration of Music Interventions and PAiN Tolerance in Healthy Individuals: the DOMINANT Trial

TypeinterventionalSponsorErasmus Medical CenterRan2024 to 2024Enrolled80ConditionsPain, AcuteArmsListening to music for 1 minute, Listening to music for 5 minutes, Listening to music for 20 minutes, Not listening to music
3 · Its place in the literature

Who cites it

18 citing papers in PubMed, 33 citations in OpenAlex.

  1. Trial
  2. Trial
  3. Trial
  4. Review
  5. The Predominant Role of Musical Valence Over Arousal in Pain Modulation: A Psychophysiological Study.International journal of psychology : Journal international de psychologie · 2026
    Article
  6. Article
  7. Article
  8. Article
  9. Article
  10. Article
  11. Review
  12. Review
  13. Article
  14. Review
  15. Article
  16. Article
  17. Article
  18. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

3 authors at 2 institutions in 2 countries.

Claire HowlinDepartment of Biological and Experimental Psychology School of Biological and Experimental Psychology, Queen Mary University of London, London, United Kingdom.ORCID 0000-0001-8173-2972
Alison StapletonSchool of Psychology, University College Dublin, Belfield, Dublin, Ireland.ORCID 0000-0001-5719-3657
Brendan RooneySchool of Psychology, University College Dublin, Belfield, Dublin, Ireland.
University College Dublin · IEQueen Mary University of London · GB

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Music is increasingly being recognised as an adjuvant treatment for pain management. Music can help to decrease the experience of both chronic and experimental pain. Cognitive agency has been identified as a specific mechanism that may mediate the analgesic benefits of music engagement however, it is unclear if this specific mechanism translates to acute pain. Previous attempts to understand the cognitive mechanisms that underpin music analgesia have been predominantly lab-based, limiting the extent to which observed effects may apply to participants' everyday lives. Addressing these gaps, in naturalistic settings, the present study examined the degree to which cognitive agency (i.e., perceived choice in music), music features (i.e., complexity), and individual levels of musical sophistication were related to perceived pain. In an online global experiment, using a randomised between groups experimental design with two levels for choice (no choice and perceived choice) and two levels for music (high and low complexity), a sample of 286 adults experiencing acute pain reported their pain intensity and pain unpleasantness pre- and post-music listening. A bespoke piece of music was co-created with a commercial artist to enable the manipulation of music complexity while controlling for familiarity, while facilitating an authentic music listening experience. Overall, findings demonstrated that increased perceived control over music is associated with analgesic benefits, and that perceived choice is more important than music complexity. Highlighting the importance of listener engagement, people who reported higher levels of active engagement experienced greater decreases of pain intensity in the perceived choice condition, than those who reported lower levels of active engagement. These findings have implications for both research and practice, emphasising the importance of facilitating freedom of choice, and sustained engagement with music throughout music listening interventions.

Indexed as

Acute PainMusicAdultAuditory PerceptionHumansPain ManagementPain Measurement

Identifiers

PMID35921262
PMCPMC9348657
OpenAlexW4289637525

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.