Evidence map›Paper›PMID 35478752›Full record

ArticleFrontiers in psychology2022

Assessing Emotion and Sensitivity of AI Artwork.

Ujué Agudo, Miren Arrese, Karlos G Liberal, Helena Matute

Abstract read
In one paragraph

Article in Frontiers in psychology, 2022. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 6 papers.

0numbers the graph read from it
0cells of the map it votes in
6citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

6 citing papers in PubMed.

  1. Article
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  3. Review
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4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

4 authors.

Ujué AgudoDepartamento de Psicología, Universidad de Deusto, Bilbao, Spain.
Miren ArreseLaboratorio de intervención, Bikolabs/Biko, Pamplona, Spain.
Karlos G LiberalLaboratorio de intervención, Bikolabs/Biko, Pamplona, Spain.
Helena MatuteDepartamento de Psicología, Universidad de Deusto, Bilbao, Spain.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Artificial Intelligence (AI) is currently present in areas that were, until recently, reserved for humans, such as, for instance, art. However, to the best of our knowledge, there is not much empirical evidence on how people perceive the skills of AI in these domains. In Experiment 1, participants were exposed to AI-generated audiovisual artwork and were asked to evaluate it. We told half of the participants that the artist was a human and we confessed to the other half that it was an AI. Although all of them were exposed to the same artwork, the results showed that people attributed lower sensitivity, lower ability to evoke their emotions, and lower quality to the artwork when they thought the artist was AI as compared to when they believed the artist was human. Experiment 2 reproduced these results and extended them to a slightly different setting, a different piece of (exclusively auditory) artwork, and added some additional measures. The results show that the evaluation of art seems to be modulated, at least in part, by prior stereotypes and biases about the creative skills of AI. The data and materials for these experiments are freely available at the Open Science Framework: https://osf.io/3r7xg/. Experiment 2 was preregistered at AsPredicted: https://aspredicted.org/fh2u2.pdf.

Indexed as

artartificial intelligencebiashuman–computer interactionmusicstereotype

Identifiers

PMID35478752
PMCPMC9037325

What OpenQuestion holds

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Registered trials

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.