Evidence map›Paper›PMID 35452933›Full record

ArticlePublic health2022

How arts engagement supported social connectedness during the first year of the COVID-19 pandemic in the United Kingdom: findings from the HEartS Survey.

R Perkins, S L Kaye, B B Zammit, A Mason-Bertrand, N Spiro, A Williamon

Open access · hybridAbstract read
In one paragraph

Article in Public health, 2022. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 6 papers.

0numbers the graph read from it
0cells of the map it votes in
6citing papers in PubMed
6.6field-weighted citation impact, top 4% of its field
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

6 citing papers in PubMed, 10 citations in OpenAlex.

  1. Trial
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4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

6 authors at 1 institution in 1 country.

R PerkinsCentre for Performance Science, Royal College of Music, Prince Consort Road, London, SW7 2BS, UK; Faculty of Medicine, Imperial College London, South Kensington Campus, London, SW7 2AZ, UK.
S L KayeCentre for Performance Science, Royal College of Music, Prince Consort Road, London, SW7 2BS, UK.
B B ZammitCentre for Performance Science, Royal College of Music, Prince Consort Road, London, SW7 2BS, UK.
A Mason-BertrandCentre for Performance Science, Royal College of Music, Prince Consort Road, London, SW7 2BS, UK.
N SpiroCentre for Performance Science, Royal College of Music, Prince Consort Road, London, SW7 2BS, UK; Faculty of Medicine, Imperial College London, South Kensington Campus, London, SW7 2AZ, UK.
A WilliamonCentre for Performance Science, Royal College of Music, Prince Consort Road, London, SW7 2BS, UK; Faculty of Medicine, Imperial College London, South Kensington Campus, London, SW7 2AZ, UK. Electronic address: aaron.williamon@rcm.ac.uk.
Royal College of Music · GB

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

objectivesThis study investigated how adults in the United Kingdom perceived their arts and cultural engagement to facilitate social connectedness over two phases in the first year of the COVID-19 pandemic. STUDY

designThe study used the HEartS Survey, a newly designed online survey tool to capture arts engagement in the United Kingdom and its associations with social and mental well-being, over two phases in 2020: March to May (Phase 1) and October (Phase 2).

methodsQualitative data were provided at both phases by 581 respondents, who identified which arts and cultural activity they felt most connected them to others and how during the last month.

resultsThematic analysis revealed that, at both phases, arts and cultural engagement was perceived to facilitate social connectedness through four pathways that were also identified prepandemic: social opportunities, sharing, feelings of commonality and belonging and collective understanding. The subthemes shed light on specific ways that respondents used the arts during the pandemic to connect with others, including using the arts: as a catalyst for conversations, to maintain, reinstate or strengthen relationships during social distancing and to facilitate social interactions (Theme 1); to bring people together through shared experiences and sharing of art (Theme 2); to elicit feelings of direct and indirect proximity to others, to connect people with common interests, to feel a sense of belonging to something and to feel part of a collective 'COVID-19 experience' or to feel collectively distracted from the pandemic (Theme 3); and to learn from and about other people and to relate to others (Theme 4). The activity most frequently cited as connecting was watching a film or drama, followed by listening to recorded music.

conclusionsEngagement in arts and cultural activities supported feelings of social connection among adults in the United Kingdom over two phases in the first year of the COVID-19 pandemic, highlighting the importance of access to the arts and culture to support social connectedness.

Indexed as

COVID-19AdultHumansMental HealthPandemicsSurveys and QuestionnairesUnited KingdomArtsCOVID-19CultureLonelinessSocial connectednessSurvey

Identifiers

PMID35452933
PMCPMC8920782
OpenAlexW4220729135

What OpenQuestion holds

Textmetadata
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.