Evidence map›Paper›PMID 35369229›Full record

ArticleFrontiers in psychology2022

Illuminating Music: Impact of Color Hue for Background Lighting on Emotional Arousal in Piano Performance Videos.

James McDonald, Sergio Canazza, Anthony Chmiel, Giovanni De Poli, Ellouise Houbert, Maddalena Murari, Antonio Rodà, Emery Schubert, J Diana Zhang

Open access · goldAbstract read
In one paragraph

Article in Frontiers in psychology, 2022. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 5 papers.

0numbers the graph read from it
0cells of the map it votes in
5citing papers in PubMed
1.1field-weighted citation impact, top 22% of its field
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

5 citing papers in PubMed, 6 citations in OpenAlex.

  1. Review
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4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

9 authors at 3 institutions in 2 countries.

James McDonaldEmpirical Musicology Laboratory, School of the Arts and Media, University of New South Wales, Sydney, NSW, Australia.
Sergio CanazzaCentro di Sonologia Computazionale, Department of Information Engineering, University of Padova, Padua, Italy.
Anthony ChmielThe MARCS Institute for Brain, Behavior and Development, Western Sydney University, Sydney, NSW, Australia.
Giovanni De PoliCentro di Sonologia Computazionale, Department of Information Engineering, University of Padova, Padua, Italy.
Ellouise HoubertIndependent Researcher, Sydney, NSW, Australia.
Maddalena MurariCentro di Sonologia Computazionale, Department of Information Engineering, University of Padova, Padua, Italy.
Antonio RodàCentro di Sonologia Computazionale, Department of Information Engineering, University of Padova, Padua, Italy.
Emery SchubertEmpirical Musicology Laboratory, School of the Arts and Media, University of New South Wales, Sydney, NSW, Australia.
J Diana ZhangEmpirical Musicology Laboratory, School of the Arts and Media, University of New South Wales, Sydney, NSW, Australia.
University of Padua · ITUNSW Sydney · AUWestern Sydney University · AU

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

This study sought to determine if hues overlayed on a video recording of a piano performance would systematically influence perception of its emotional arousal level. The hues were artificially added to a series of four short video excerpts of different performances using video editing software. Over two experiments 106 participants were sorted into 4 conditions, with each viewing different combinations of musical excerpts (two excerpts with nominally high arousal and two excerpts with nominally low arousal) and hue (red or blue) combinations. Participants rated the emotional arousal depicted by each excerpt. Results indicated that the overall arousal ratings were consistent with the nominal arousal of the selected excerpts. However, hues added to video produced no significant effect on arousal ratings, contrary to predictions. This could be due to the domination of the combined effects of other channels of information (e.g., the music and player movement) over the emotional effects of the hypothesized influence of hue on perceived performance (red expected to enhance and blue to reduce arousal of the performance). To our knowledge this is the first study to investigate the impact of these hues upon perceived arousal of music performance, and has implications for musical performers and stage lighting. Further research that investigates reactions during live performance and manipulation of a wider range of lighting hues, saturation and brightness levels, and editing techniques, is recommended to further scrutinize the veracity of the findings.

Indexed as

arousalbluecoloremotionlightingmusicperformancered

Identifiers

PMID35369229
PMCPMC8964794
OpenAlexW4220707214

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.