Evidence map›Paper›PMID 35277597›Full record

ArticleScientific reports2022

Universality and superiority in preference for chromatic composition of art paintings.

Shigeki Nakauchi, Taisei Kondo, Yuya Kinzuka, Yuma Taniyama, Hideki Tamura, Hiroshi Higashi, Kyoko Hine, Tetsuto Minami, João M M Linhares, Sérgio M C Nascimento

Abstract read
In one paragraph

Article in Scientific reports, 2022. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 15 papers.

0numbers the graph read from it
0cells of the map it votes in
15citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

15 citing papers in PubMed.

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4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

10 authors.

Shigeki NakauchiDepartment of Computer Science and Engineering, Toyohashi University of Technology, Toyohashi, 441-8580, Japan. nakauchi@tut.jp.
Taisei KondoDepartment of Computer Science and Engineering, Toyohashi University of Technology, Toyohashi, 441-8580, Japan.
Yuya KinzukaDepartment of Computer Science and Engineering, Toyohashi University of Technology, Toyohashi, 441-8580, Japan.
Yuma TaniyamaDepartment of Computer Science and Engineering, Toyohashi University of Technology, Toyohashi, 441-8580, Japan.
Hideki TamuraDepartment of Computer Science and Engineering, Toyohashi University of Technology, Toyohashi, 441-8580, Japan.
Hiroshi HigashiDepartment of Computer Science and Engineering, Toyohashi University of Technology, Toyohashi, 441-8580, Japan.
Kyoko HineDepartment of Computer Science and Engineering, Toyohashi University of Technology, Toyohashi, 441-8580, Japan.
Tetsuto MinamiDepartment of Computer Science and Engineering, Toyohashi University of Technology, Toyohashi, 441-8580, Japan.
João M M LinharesCentre of Physics, Gualtar Campus, University of Minho, Braga, 4710-057, Portugal.
Sérgio M C NascimentoCentre of Physics, Gualtar Campus, University of Minho, Braga, 4710-057, Portugal.

Funding

Fundação para a Ciência e a Tecnologia UIDB/04650/2020Japan Society for the Promotion of Science JP19H01119
6 · The paper itself

Abstract

Color composition in paintings is a critical factor affecting observers' aesthetic judgments. We examined observers' preferences for the color composition of Japanese and Occidental paintings when their color gamut was rotated. In the experiment, observers were asked to select their preferred image from original and three hue-rotated images in a four-alternative forced choice paradigm. Despite observers' being unfamiliar with the presented artwork, the original paintings (0 degrees) were preferred more frequently than the hue-rotated ones. Furthermore, the original paintings' superiority was observed when the images were divided into small square pieces and their positions randomized (Scrambled condition), and when the images were composed of square pieces collected from different art paintings and composed as patchwork images (Patchwork condition). Therefore, the original paintings' superiority regarding preference was quite robust, and the specific objects in the paintings associated with a particular color played only a limited role. Rather, the original paintings' general trend in color statistics influenced hue-angle preference. Art paintings likely share common statistical regulations in color distributions, which may be the basis for the universality and superiority of the preference for original paintings.

Identifiers

PMID35277597
PMCPMC8917196

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.