Evidence map›Paper›PMID 35020739›Full record

ArticlePloS one

Feeling moved by music: Investigating continuous ratings and acoustic correlates.

Jonna K Vuoskoski, Janis H Zickfeld, Vinoo Alluri, Vishnu Moorthigari, Beate Seibt

Abstract read
In one paragraph

Article in PloS one. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 9 papers.

0numbers the graph read from it
0cells of the map it votes in
9citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

9 citing papers in PubMed.

  1. Article
  2. Empathy in Musicians: Self-Report Versus Performance on an Empathic Accuracy Task.International journal of psychology : Journal international de psychologie · 2025
    Article
  3. Article
  4. Article
  5. Article
  6. Article
  7. Article
  8. Review
  9. A review of psychological research onFrontiers in psychology · 2022
    Review
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

5 authors.

Jonna K VuoskoskiRITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, University of Oslo, Oslo, Norway.ORCID https://orcid.org/0000-0003-0049-4373
Janis H ZickfeldDepartment of Management, Aarhus University, Aarhus, Denmark.ORCID https://orcid.org/0000-0001-7660-2719
Vinoo AlluriCognitive Science Lab, International Institute of Information Technology, Hyderabad, India.
Vishnu MoorthigariCognitive Science Lab, International Institute of Information Technology, Hyderabad, India.
Beate SeibtDepartment of Psychology, University of Oslo, Oslo, Norway.ORCID https://orcid.org/0000-0002-0148-0961

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

The experience often described as feeling moved, understood chiefly as a social-relational emotion with social bonding functions, has gained significant research interest in recent years. Although listening to music often evokes what people describe as feeling moved, very little is known about the appraisals or musical features contributing to the experience. In the present study, we investigated experiences of feeling moved in response to music using a continuous rating paradigm. A total of 415 US participants completed an online experiment where they listened to seven moving musical excerpts and rated their experience while listening. Each excerpt was randomly coupled with one of seven rating scales (perceived sadness, perceived joy, feeling moved or touched, sense of connection, perceived beauty, warmth [in the chest], or chills) for each participant. The results revealed that musically evoked experiences of feeling moved are associated with a similar pattern of appraisals, physiological sensations, and trait correlations as feeling moved by videos depicting social scenarios (found in previous studies). Feeling moved or touched by both sadly and joyfully moving music was associated with experiencing a sense of connection and perceiving joy in the music, while perceived sadness was associated with feeling moved or touched only in the case of sadly moving music. Acoustic features related to arousal contributed to feeling moved only in the case of joyfully moving music. Finally, trait empathic concern was positively associated with feeling moved or touched by music. These findings support the role of social cognitive and empathic processes in music listening, and highlight the social-relational aspects of feeling moved or touched by music.

Indexed as

MusicAdultAgedArousalChillsEmotionsEmpathyFemaleHumansMaleMiddle AgedSadnessYoung Adult

Identifiers

PMID35020739
PMCPMC8754323

What OpenQuestion holds

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LicenceCC BY
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Registered trials

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.