Evidence map›Paper›PMID 34789746›Full record

ArticleScientific reports2021

Synchrony in the periphery: inter-subject correlation of physiological responses during live music concerts.

Anna Czepiel, Lauren K Fink, Lea T Fink, Melanie Wald-Fuhrmann, Martin Tröndle, Julia Merrill

Abstract read
In one paragraph

Article in Scientific reports, 2021. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 37 papers.

0numbers the graph read from it
0cells of the map it votes in
37citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

37 citing papers in PubMed.

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  19. Audio-visual concert performances synchronize audience's heart rates.Annals of the New York Academy of Sciences · 2025
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4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

6 authors.

Anna CzepielMax Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany. anna.czepiel@ae.mpg.de.ORCID 0000-0002-7101-945X
Lauren K FinkMax Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.ORCID 0000-0001-6699-750X
Lea T FinkMax Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.ORCID 0000-0003-3356-5529
Melanie Wald-FuhrmannMax Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.ORCID 0000-0002-3659-4731
Martin TröndleZeppelin University, Friedrichshafen, Germany.ORCID 0000-0003-3511-7893
Julia MerrillMax Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.ORCID 0000-0001-9436-5219

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

While there is an increasing shift in cognitive science to study perception of naturalistic stimuli, this study extends this goal to naturalistic contexts by assessing physiological synchrony across audience members in a concert setting. Cardiorespiratory, skin conductance, and facial muscle responses were measured from participants attending live string quintet performances of full-length works from Viennese Classical, Contemporary, and Romantic styles. The concert was repeated on three consecutive days with different audiences. Using inter-subject correlation (ISC) to identify reliable responses to music, we found that highly correlated responses depicted typical signatures of physiological arousal. By relating physiological ISC to quantitative values of music features, logistic regressions revealed that high physiological synchrony was consistently predicted by faster tempi (which had higher ratings of arousing emotions and engagement), but only in Classical and Romantic styles (rated as familiar) and not the Contemporary style (rated as unfamiliar). Additionally, highly synchronised responses across all three concert audiences occurred during important structural moments in the music-identified using music theoretical analysis-namely at transitional passages, boundaries, and phrase repetitions. Overall, our results show that specific music features induce similar physiological responses across audience members in a concert context, which are linked to arousal, engagement, and familiarity.

Indexed as

Acoustic StimulationAdolescentAdultAgedAged, 80 and overArousalAuditory PerceptionEmotionsFacial MusclesFemaleHeart RateHumansLogistic ModelsMaleMiddle AgedMusic

Identifiers

PMID34789746
PMCPMC8599424

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Registered trials

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.