Evidence map›Paper›PMID 34658759›Full record

ArticleFrontiers in neuroscience2021

Changes in Brain Responses to Music and Non-music Sounds Following Creativity Training Within the "Different Hearing" Program.

Anna Arkhipova, Pavel Hok, Jan Valošek, Markéta Trnečková, Gabriela Všetičková, Gabriela Coufalová, Jaromír Synek, Vít Zouhar, Petr Hluštík

Open access · goldAbstract read
In one paragraph

Article in Frontiers in neuroscience, 2021. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 3 papers.

0numbers the graph read from it
0cells of the map it votes in
3citing papers in PubMed
0.4field-weighted citation impact, top 44% of its field
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

3 citing papers in PubMed, 6 citations in OpenAlex.

  1. Review
  2. Review
  3. Review
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

9 authors at 2 institutions in 1 country.

Anna ArkhipovaDepartment of Neurology, Faculty of Medicine and Dentistry and University Hospital Olomouc, Olomouc, Czechia.
Pavel HokDepartment of Neurology, Faculty of Medicine and Dentistry and University Hospital Olomouc, Olomouc, Czechia.
Jan ValošekDepartment of Neurology, Faculty of Medicine and Dentistry and University Hospital Olomouc, Olomouc, Czechia.
Markéta TrnečkováDepartment of Neurology, Faculty of Medicine and Dentistry and University Hospital Olomouc, Olomouc, Czechia.
Gabriela VšetičkováDepartment of Music Education, Faculty of Education, Palacký University Olomouc, Olomouc, Czechia.
Gabriela CoufalováDepartment of Music Education, Faculty of Education, Palacký University Olomouc, Olomouc, Czechia.
Jaromír SynekDepartment of Music Education, Faculty of Education, Palacký University Olomouc, Olomouc, Czechia.
Vít ZouharDepartment of Music Education, Faculty of Education, Palacký University Olomouc, Olomouc, Czechia.
Petr HluštíkDepartment of Neurology, Faculty of Medicine and Dentistry and University Hospital Olomouc, Olomouc, Czechia.
Palacký University Olomouc · CZUniversity Hospital Olomouc · CZ

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

The "Different Hearing" program (DHP) is an educational activity aimed at stimulating musical creativity of children and adults by group composing in the classroom, alternative to the mainstream model of music education in Czechia. Composing in the classroom in the DHP context does not use traditional musical instruments or notation, instead, the participants use their bodies, sounds originating from common objects as well as environmental sounds as the "elements" for music composition by the participants' team, with the teacher initiating and then participating and coordinating the creative process, which ends with writing down a graphical score and then performing the composition in front of an audience. The DHP methodology works with a wide definition of musical composition. We hypothesized that the DHP short-term (2 days) intense workshop would induce changes in subjective appreciation of different classes of music and sound (including typical samples of music composed in the DHP course), as well as plastic changes of the brain systems engaged in creative thinking and music perception, in their response to diverse auditory stimuli. In our study, 22 healthy university students participated in the workshop over 2 days and underwent fMRI examinations before and after the workshop, meanwhile 24 students were also scanned twice as a control group. During fMRI, each subject was listening to musical and non-musical sound samples, indicating their esthetic impression with a button press after each sample. As a result, participants' favorable feelings toward non-musical sound samples were significantly increased only in the active group. fMRI data analyzed using ANOVA with

Indexed as

auditory perceptionbrain plasticitycreativitymusic compositionmusic educationmusic trainingtask-related fMRI

Identifiers

PMID34658759
PMCPMC8517178
OpenAlexW3202402291

What OpenQuestion holds

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LicenceCC BY
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Registered trials

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.