Evidence map›Paper›PMID 34382202›Full record

ArticleBehavior research methods2022

Can musical ability be tested online?

Ana Isabel Correia, Margherita Vincenzi, Patrícia Vanzella, Ana P Pinheiro, César F Lima, E Glenn Schellenberg

Erratum issuedOpen access · greenAbstract read
In one paragraph

Article in Behavior research methods, 2022. The graph could read no effect estimate from its abstract, so it casts no vote on the map. An erratum has been issued. Cited by 12 papers, 1 of them a synthesis that pooled it.

0numbers the graph read from it
0cells of the map it votes in
12citing papers in PubMed, 1 pooled it
0.8field-weighted citation impact, top 32% of its field
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

12 citing papers in PubMed, 1 synthesis or guideline pooled it, 8 citations in OpenAlex.

  1. Pooled it
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  9. Individual differences in musical ability among adults with no music training.Quarterly journal of experimental psychology (2006) · 2023
    Article
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4 · The record

Corrections and comments

5 · Who and what money

Authors and funding

6 authors at 4 institutions in 4 countries.

Ana Isabel CorreiaCentro de Investigação e Intervenção Social (CIS-IUL), Instituto Universitário de Lisboa (ISCTE-IUL), Av.ª das Forças Armadas, 1649-026, Lisboa, Portugal.ORCID https://orcid.org/0000-0002-2493-0195
Margherita VincenziCentro de Investigação e Intervenção Social (CIS-IUL), Instituto Universitário de Lisboa (ISCTE-IUL), Av.ª das Forças Armadas, 1649-026, Lisboa, Portugal.ORCID https://orcid.org/0000-0002-2474-0359
Patrícia VanzellaCenter for Mathematics, Computing, and Cognition, Universidade Federal do ABC, Santo Andre, Brazil.ORCID https://orcid.org/0000-0002-7709-1495
Ana P PinheiroCICPSI, Faculdade de Psicologia, Universidade de Lisboa, Lisboa, Portugal.ORCID https://orcid.org/0000-0002-7981-3682
César F LimaCentro de Investigação e Intervenção Social (CIS-IUL), Instituto Universitário de Lisboa (ISCTE-IUL), Av.ª das Forças Armadas, 1649-026, Lisboa, Portugal. cesar.lima@iscte-iul.pt.
E Glenn SchellenbergCentro de Investigação e Intervenção Social (CIS-IUL), Instituto Universitário de Lisboa (ISCTE-IUL), Av.ª das Forças Armadas, 1649-026, Lisboa, Portugal.ORCID https://orcid.org/0000-0003-3681-6020
Iscte – Instituto Universitário de Lisboa · PTUniversidade Federal do ABC · BRUniversity of Lisbon · PTUniversity of Toronto · CA

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

We sought to determine whether an objective test of musical ability could be successfully administered online. A sample of 754 participants was tested with an online version of the Musical Ear Test (MET), which had Melody and Rhythm subtests. Both subtests had 52 trials, each of which required participants to determine whether standard and comparison auditory sequences were identical. The testing session also included the Goldsmiths Musical Sophistication Index (Gold-MSI), a test of general cognitive ability, and self-report questionnaires that measured basic demographics (age, education, gender), mind-wandering, and personality. Approximately 20% of the participants were excluded for incomplete responding or failing to finish the testing session. For the final sample (N = 608), findings were similar to those from in-person testing in many respects: (1) the internal reliability of the MET was maintained, (2) construct validity was confirmed by strong associations with Gold-MSI scores, (3) correlations with other measures (e.g., openness to experience, cognitive ability, mind-wandering) were as predicted, (4) mean levels of performance were similar for individuals with no music training, and (5) musical sophistication was a better predictor of performance on the Melody than on the Rhythm subtest. In sum, online administration of the MET proved to be a reliable and valid way to measure musical ability.

Indexed as

MusicCognitionHumansPersonalityReproducibility of ResultsAbilityExpertiseMelodyMusicRhythmTraining

Identifiers

PMID34382202
PMCPMC8357346
OpenAlexW3192637646

What OpenQuestion holds

Textmetadata
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.