Evidence map›Paper›PMID 34093341›Full record

ArticleFrontiers in psychology2021

Perception of Nigerian Dùndún Talking Drum Performances as Speech-Like vs. Music-Like: The Role of Familiarity and Acoustic Cues.

Cecilia Durojaye, Lauren Fink, Tina Roeske, Melanie Wald-Fuhrmann, Pauline Larrouy-Maestri

Open access · goldAbstract read
In one paragraph

Article in Frontiers in psychology, 2021. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 3 papers.

0numbers the graph read from it
0cells of the map it votes in
3citing papers in PubMed
0.8field-weighted citation impact, top 31% of its field
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

3 citing papers in PubMed, 10 citations in OpenAlex.

  1. Article
  2. CoVox: A dataset of contrasting vocalizations.Behavior research methods · 2025
    Article
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4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

5 authors at 2 institutions in 2 countries.

Cecilia DurojayeDepartment of Music, Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.
Lauren FinkDepartment of Music, Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.
Tina RoeskeDepartment of Music, Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.
Melanie Wald-FuhrmannDepartment of Music, Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.
Pauline Larrouy-MaestriMax Planck-NYU, Center for Language, Music, and Emotion, Frankfurt am Main, Germany.
Max Planck Institute for Empirical Aesthetics · DEMax Planck Institute for Brain Research · DE

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

It seems trivial to identify sound sequences as music or speech, particularly when the sequences come from different sound sources, such as an orchestra and a human voice. Can we also easily distinguish these categories when the sequence comes from the same sound source? On the basis of which acoustic features? We investigated these questions by examining listeners' classification of sound sequences performed by an instrument intertwining both speech and music: the dùndún talking drum. The dùndún is commonly used in south-west Nigeria as a musical instrument but is also perfectly fit for linguistic usage in what has been described as speech surrogates in Africa. One hundred seven participants from diverse geographical locations (15 different mother tongues represented) took part in an online experiment. Fifty-one participants reported being familiar with the dùndún talking drum, 55% of those being speakers of Yorùbá. During the experiment, participants listened to 30 dùndún samples of about 7s long, performed either as music or Yorùbá speech surrogate (

Indexed as

amplitude modulation spectrumcategorizationintensitypitchspeech surrogacytimbretimingYorùbá

Identifiers

PMID34093341
PMCPMC8173200
OpenAlexW3162709001

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.