ArticleJournal of vision2021
A deep-learning framework for human perception of abstract art composition.
Article in Journal of vision, 2021. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 3 papers.
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Who cites it
3 citing papers in PubMed.
- The perceptual primacy of feeling: Affectless visual machines explain a majority of variance in human visually evoked affect.Proceedings of the National Academy of Sciences of the United States of America · 2025Article
- How deep is your art: An experimental study on the limits of artistic understanding in a single-task, single-modality neural network.PloS one · 2024Article
- Universality and superiority in preference for chromatic composition of art paintings.Scientific reports · 2022Article
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Authors and funding
2 authors.
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Abstract
Artistic composition (the structural organization of pictorial elements) is often characterized by some basic rules and heuristics, but art history does not offer quantitative tools for segmenting individual elements, measuring their interactions and related operations. To discover whether a metric description of this kind is even possible, we exploit a deep-learning algorithm that attempts to capture the perceptual mechanism underlying composition in humans. We rely on a robust behavioral marker with known relevance to higher-level vision: orientation judgements, that is, telling whether a painting is hung "right-side up." Humans can perform this task, even for abstract paintings. To account for this finding, existing models rely on "meaningful" content or specific image statistics, often in accordance with explicit rules from art theory. Our approach does not commit to any such assumptions/schemes, yet it outperforms previous models and for a larger database, encompassing a wide range of painting styles. Moreover, our model correctly reproduces human performance across several measurements from a new web-based experiment designed to test whole paintings, as well as painting fragments matched to the receptive-field size of different depths in the model. By exploiting this approach, we show that our deep learning model captures relevant characteristics of human orientation perception across styles and granularities. Interestingly, the more abstract the painting, the more our model relies on extended spatial integration of cues, a property supported by deeper layers.
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