ArticleFrontiers in psychology2021
Classifying Different Types of Music Performance Anxiety.
Article in Frontiers in psychology, 2021. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 16 papers, 1 of them a synthesis that pooled it.
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Who cites it
16 citing papers in PubMed, 1 synthesis or guideline pooled it, 35 citations in OpenAlex.
- Music making and wellbeing: A systematic review of methods, musical activities, and outcomes.Applied psychology. Health and well-being · 2026Pooled it
- The application of virtual reality exposure versus relaxation training in music performance anxiety: a randomized controlled study.BMC psychiatry · 2023Trial
- Catalysts of music performance anxiety: a qualitative exploration of undergraduate students through the person-environment-occupation framework.BMC psychology · 2026Article
- Development and validation of the German Performance-related Questionnaire for Musicians (PQM) for measuring situational music performance anxiety.Frontiers in psychology · 2026Article
- Breath, brain, and performance: investigating the effects of respiratory patterns on anxiety and cognition in bassoon players.Frontiers in psychiatry · 2026Article
- Positive narrative writing reduces music performance anxiety more effectively than traumatic narrative.Frontiers in psychology · 2026Article
- Under the spotlight: social anxiety and music performance anxiety in solo-exposed wind instrumentalists compared to section players in orchestra settings.Frontiers in psychology · 2026Article
- The impact of professional music performance competence on performance anxiety: the mediating role of psychological risk and moderating role of psychological resilience.Frontiers in psychology · 2025Article
- Music students' psychological profiles: unveiling three coping clusters using schema mode inventory.Frontiers in psychology · 2025Article
- Meditating musicians: investigating the experience of music students and professional musicians in a brief mindfulness course to address music performance anxiety.Frontiers in psychology · 2025Article
- Personality traits in musicians with different types of music performance anxiety.Frontiers in psychology · 2024Article
- Effects of social support on music performance anxiety among university music students: chain mediation of emotional intelligence and self-efficacy.Frontiers in psychology · 2024Article
- Dispositional and performance-specific music performance anxiety in young amateur musicians.Frontiers in psychology · 2023Article
- Impact of music performance anxiety on cardiovascular blood pressure responses, autonomic tone and baroreceptor sensitivity to a western classical music piano-concert.Frontiers in neuroscience · 2023Article
- Classical Music Students' Pre-performance Anxiety, Catastrophizing, and Bodily Complaints Vary by Age, Gender, and Instrument and Predict Self-Rated Performance Quality.Frontiers in psychology · 2022Article
- Live Music Performance: The Relationship Between Flow and Music Performance Anxiety.Frontiers in psychology · 2021Article
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Authors and funding
3 authors at 2 institutions in 1 country.
Funding
No grant is acknowledged in the PubMed record.
Abstract
Music performance anxiety (MPA) is a commonly present topic among musicians. Most studies on MPA investigated effects of a more general occurrence of MPA on performances. Less is known about individual variations of MPA within a performance, more specifically at the times before, during, and after the performance. This study used a questionnaire to investigate these performance times in order to find out if there occur different types in the variation of the perceived MPA across the performance. The study was performed with 532 musicians; 27% of them being professional orchestra musicians, 45% non-professional orchestra musicians, and 28% non-professional choir singers. The musicians were asked to fill in the Performance-specific Questionnaire for Musicians (PQM) immediately after a performance. The questionnaire contains three scales regarding symptoms of MPA, functional coping with MPA and performance-related self-efficacy. A cluster analysis was performed on the PQM scales to identify systematic variations. Findings indicate that there are three different types of MPA in the sample studied. Type 1 describes musicians who have few symptoms of MPA throughout the performance, show functional coping with MPA, and have a stable and well-developed self-efficacy. Type 2 describes musicians who begin their performance with rather high symptoms of MPA but can positively reduce these by the end of the performance and show high values in self-efficacy and in functional coping. Type 3 contains musicians who begin their performance with some symptoms of MPA, which increase to the end of the performance. The values of self-efficacy and functional coping in this type are rather low. Of the total sample, half of the musicians were assigned to Type 1 and approximately a quarter each to Type 2 (27%) and Type 3 (23%). In accordance with the literature, the results confirm the importance of self-efficacy and functional coping for a positive performance experience.
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