Evidence map›Paper›PMID 33750982›Full record

ArticlePloS one2021

Nature versus art as elicitors of the sublime: A virtual reality study.

Alice Chirico, Robert R Clewis, David B Yaden, Andrea Gaggioli

Abstract read
In one paragraph

Article in PloS one, 2021. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 11 papers, 1 of them a synthesis that pooled it.

0numbers the graph read from it
0cells of the map it votes in
11citing papers in PubMed, 1 pooled it
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

11 citing papers in PubMed, 1 synthesis or guideline pooled it.

  1. Pooled it
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  8. Review
  9. Editorial: Behavior-Driven Changes in Gene Expression.Frontiers in behavioral neuroscience · 2022
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4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

4 authors.

Alice ChiricoDepartment of Psychology, Università Cattolica del Sacro Cuore di Milano, Milan, Italy.ORCID 0000-0002-4587-0232
Robert R ClewisDepartment of Philosophy, Gwynedd Mercy University, Gwynedd Valley, PA, United States of America.
David B YadenDepartment of Psychology, University of Pennsylvania, Philadelphia, PA, United States of America.
Andrea GaggioliDepartment of Psychology, Università Cattolica del Sacro Cuore di Milano, Milan, Italy.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

The sublime-the mixed aesthetic experience of uplift and elevation in response to a powerful or vast object that otherwise is experienced as menacing-has nurtured philosophical discourse for centuries. One of the major philosophical issues concerns whether the sublime is best thought of as a subjective response or as a stimulus. Recently, psychology has conceived of the sublime as an emotion, often referred to as awe, arising from natural or artistic stimuli that are great, rare, and/or vast. However, it has not yet been empirically demonstrated whether two major elicitors of the sublime-nature and art-differ in inducing this state. In order to experimentally compare nature and art, we exposed 50 participants to sublimity-inducing content in two different formats (nature-based and art-based) using 360° videos. We compared Vincent Van Gogh's The Starry Night with a photorealistic version of the actual place depicted in the painting, Saint-Rémy-de-Provence. We measured participants' emotional responses before and after each exposure, as well as the sense of presence. The nature-based format induced higher intensity emotional responses than the art-based format. This study compares different sublime stimuli (nature vs. art) for eliciting the sublime.

Indexed as

Virtual RealityAdultAffectBayes TheoremEmotionsEstheticsFemaleHumansMalePaintingsPhotic StimulationYoung Adult

Identifiers

PMID33750982
PMCPMC7984734

What OpenQuestion holds

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Registered trials

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.