Evidence map›Paper›PMID 33613395›Full record

ArticleFrontiers in psychology2021

Aesthetic Judgments of Live and Recorded Music: Effects of Congruence Between Musical Artist and Piece.

Amy M Belfi, David W Samson, Jonathan Crane, Nicholas L Schmidt

Open access · goldAbstract read
In one paragraph

Article in Frontiers in psychology, 2021. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 6 papers.

0numbers the graph read from it
0cells of the map it votes in
6citing papers in PubMed
7.7field-weighted citation impact, top 2% of its field
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

6 citing papers in PubMed, 50 citations in OpenAlex.

  1. Article
  2. Article
  3. Audio-visual concert performances synchronize audience's heart rates.Annals of the New York Academy of Sciences · 2025
    Article
  4. Article
  5. Your ears don't change what your eyes like: People can independently report the pleasure of music and images.Journal of experimental psychology. Human perception and performance · 2023
    Article
  6. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

4 authors at 2 institutions in 1 country.

Amy M BelfiDepartment of Psychological Science, Missouri University of Science and Technology, Rolla, MO, United States.
David W SamsonDepartment of Arts, Languages, and Philosophy, Missouri University of Science and Technology, Rolla, MO, United States.
Jonathan CraneWest Point Music Research Center, United States Military Academy, West Point, NY, United States.
Nicholas L SchmidtDepartment of Chemical and Biochemical Engineering, Missouri University of Science and Technology, Rolla, MO, United States.
Missouri University of Science and Technology · USUnited States Military Academy · US

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

The COVID-19 pandemic has brought the live music industry to an abrupt halt; subsequently, musicians are looking for ways to replicate the live concert experience virtually. The present study sought to investigate differences in aesthetic judgments of a live concert vs. a recorded concert, and whether these responses vary based on congruence between musical artist and piece. Participants (

Indexed as

concertcongruitycontinuous ratingsemotionpleasure

Identifiers

PMID33613395
PMCPMC7890201
OpenAlexW3128911256

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.