Evidence map›Paper›PMID 33287059›Full record

ArticleEntropy (Basel, Switzerland)2020

A Computational Model of Tonal Tension Profile of Chord Progressions in the Tonal Interval Space.

María Navarro-Cáceres, Marcelo Caetano, Gilberto Bernardes, Mercedes Sánchez-Barba, Javier Merchán Sánchez-Jara

Open access · goldAbstract read
In one paragraph

Article in Entropy (Basel, Switzerland), 2020. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 4 papers.

0numbers the graph read from it
0cells of the map it votes in
4citing papers in PubMed
0.9field-weighted citation impact, top 27% of its field
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

4 citing papers in PubMed, 17 citations in OpenAlex.

  1. Article
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  4. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

5 authors at 3 institutions in 4 countries.

María Navarro-CáceresDepartment of Computer Sciences, University of Salamanca, Pza de los Caídos, s/n, 37007 Salamanca, Spain.
Marcelo CaetanoSchulich School of Music & CIRMMT, McGill University, 555 Sherbrooke Street West, Montréal, QC H3A 1E3, Canada.ORCID 0000-0002-5119-8964
Gilberto BernardesFaculty of Engineering and INESC TEC, University of Porto, 4200-465 Porto, Portugal.ORCID 0000-0003-3884-2687
Mercedes Sánchez-BarbaDepartment of Statistics, University of Salamanca, Pza de la Merced, s/n, 37007 Salamanca, Spain.
Javier Merchán Sánchez-JaraDepartment of Didactics of Musical, Plastic and Corporal Expression, University of Salamanca, Calle Madrigal de las Altas Torres, 3, 05003 Avila, Spain.
Universidad de Salamanca · ESCentre National de la Recherche Scientifique · FRUniversidade do Porto · PT

Funding

Erasmus+ ES01-KA201-064933European Union POCI-01-0145-FEDER-031380
6 · The paper itself

Abstract

In tonal music, musical tension is strongly associated with musical expression, particularly with expectations and emotions. Most listeners are able to perceive musical tension subjectively, yet musical tension is difficult to be measured objectively, as it is connected with musical parameters such as rhythm, dynamics, melody, harmony, and timbre. Musical tension specifically associated with melodic and harmonic motion is called tonal tension. In this article, we are interested in perceived changes of tonal tension over time for chord progressions, dubbed

Indexed as

chord progressiondissonancehierarchical tensionmelodic attractiontonal interval space

Identifiers

PMID33287059
PMCPMC7712964
OpenAlexW3104790520

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.