SynthesisFrontiers in psychology2020
Music, Rhythm and Trauma: A Critical Interpretive Synthesis of Research Literature.
Synthesis in Frontiers in psychology, 2020. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 14 papers, 3 of them syntheses that pooled it.
What it found
Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.
The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.
The trial behind it
Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.
Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.
Who cites it
14 citing papers in PubMed, 3 syntheses or guidelines pooled it.
- A systematic review of nonpharmacological interventions to improve trauma symptoms and mother-infant bonding for women who experience birth trauma.Australian occupational therapy journal · 2026Pooled it
- Impact of music-based interventions on subjective well-being: a meta-analysis of listening, training, and therapy in clinical and nonclinical populations.Frontiers in psychology · 2025Pooled it
- Women's Contexts and Circumstances of Posttraumatic Growth After Sexual Victimization: A Systematic Review.Frontiers in psychology · 2021Pooled it
- Developing a trauma-informed peer support framework for young adults (TIPS-YA): Building on lessons from the field.Psychiatric rehabilitation journal · 2026Article
- Music therapy in health care practice: promise, pitfalls, and policy implications.Frontiers in human neuroscience · 2026Review
- The Onto-Rhythmic Self: An Ontological Reframing of Subjectivity.Integrative psychological & behavioral science · 2025Article
- Impact of a music therapy program on mental health and school attendance among female adolescents in Kasai-Central province, Democratic Republic of Congo.Global mental health (Cambridge, England) · 2025Article
- From silence into song: an art-science collaboration with survivor trees and laryngectomy singers.Frontiers in psychology · 2025Article
- The application and impact of artificial intelligence technology in graphic design: A critical interpretive synthesis.Heliyon · 2024Review
- A Systematic Review of Music-Based Interventions to Improve Treatment Engagement and Mental Health Outcomes for Adolescents and Young Adults.Child & adolescent social work journal : C & A · 2022Article
- "Now We're All Family": Exploring Social and Emotional Development in a Summer Hip Hop Mixtape Camp.Child & adolescent social work journal : C & A · 2022Article
- What Young People Think About Music, Rhythm and Trauma: An Action Research Study.Frontiers in psychology · 2022Article
- The Limits of Resilience and the Need for Resistance: Articulating the Role of Music Therapy With Young People Within a Shifting Trauma Paradigm.Frontiers in psychology · 2021Review
- Impact of the Healing in Harmony program on women's mental health in a rural area in South Kivu province, Democratic Republic of Congo.Global mental health (Cambridge, England) · 2021Article
Corrections and comments
PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.
Authors and funding
7 authors.
Funding
No grant is acknowledged in the PubMed record.
Abstract
Recent theorizing about the connection between the brain and trauma (Perry, 2009; Porges, 2011; van der Kolk, 2015) has led to a burgeoning of interest in the provision of music-based programs with people who have had adverse experiences. Although there has been critique of the lack of scientific basis of these theories and their implications for practice (McLean, 2016), they remain popular with practitioners who are keen to introduce innovative and potentially beneficial approaches to the people with whom they work. Music therapists have a long tradition of working with traumatized clients, however, the brain-based rationales did not seem congruent with the less predictable and more idiosyncratic benefits reported, which seem to occur through more psychodynamic mechanisms of action. In order to unravel what seemed to be a body of literature plagued by the conflation of theories, we undertook a critical interpretive synthesis of literature in the past 10 years to cross-examine the ways that music and trauma have been connected. To do this we extracted data from 36 identified articles to distinguish what music methods were used, what claims were made about benefits, what theoretical justifications were provided and how much research basis there was for the claims being made. Having systematically disentangled the various dimensions, we then constructed a spectrum of approaches that offers a logical categorization of four different ways of using music with people who have had adverse life experiences. These included using music for stabilizing, entrainment, expressive and performative purposes. Specific music-based methods were proposed for those associated with brain-based rationales, and more responsive, multi-method approaches were congruent with recovery and social change models. Future research would benefit from a more clearly articulated connection between theoretical rationale, music-based methods, benefits and research approaches. The resultant spectrum may provide useful guidance for both practice and research design.
Indexed as
Identifiers
What OpenQuestion holds
Registered trials
Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.