Evidence map›Paper›PMID 32174809›Full record

ArticleFrontiers in neuroscience2020

Musical Emotion Perception in Bimodal Patients: Relative Weighting of Musical Mode and Tempo Cues.

Kristen L D'Onofrio, Meredith Caldwell, Charles Limb, Spencer Smith, David M Kessler, René H Gifford

Abstract read
In one paragraph

Article in Frontiers in neuroscience, 2020. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 18 papers, 1 of them a synthesis that pooled it.

0numbers the graph read from it
0cells of the map it votes in
18citing papers in PubMed, 1 pooled it
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

18 citing papers in PubMed, 1 synthesis or guideline pooled it.

  1. Pooled it
  2. Article
  3. Article
  4. Article
  5. Article
  6. Article
  7. Article
  8. Article
  9. Article
  10. Article
  11. Article
  12. Review
  13. Article
  14. Article
  15. Bimodal Benefit for Music Perception: Effect of Acoustic Bandwidth.Journal of speech, language, and hearing research : JSLHR · 2021
    Article
  16. Article
  17. Article
  18. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

6 authors.

Kristen L D'OnofrioCochlear Implant Research Laboratory, Department of Hearing and Speech Sciences, Vanderbilt University, Nashville, TN, United States.
Meredith CaldwellVanderbilt University Medical Center, Nashville, TN, United States.
Charles LimbDepartment of Otolaryngology-Head and Neck Surgery, University of California, San Francisco, San Francisco, CA, United States.
Spencer SmithDepartment of Communication Sciences and Disorders, The University of Texas at Austin, Austin, TX, United States.
David M KesslerCochlear Implant Research Laboratory, Department of Hearing and Speech Sciences, Vanderbilt University, Nashville, TN, United States.
René H GiffordCochlear Implant Research Laboratory, Department of Hearing and Speech Sciences, Vanderbilt University, Nashville, TN, United States.

Funding

Research Project: Sensory and Multisensory Contributions to AutismU54HD083211 · NICHD · VANDERBILT UNIVERSITY MEDICAL CENTER · PI DYKENS, ELISABETH MAY · 2015 to 2019
$7.1M
Cochlear Implants: Combined Electric and Binaural Acoustic StimulationR01DC009404 · NIDCD · VANDERBILT UNIVERSITY MEDICAL CENTER · PI GIFFORD, RENE H · 2010 to 2019
$3.4M
NICHD NIH HHS U54 HD083211NIDCD NIH HHS R01 DC009404
6 · The paper itself

Abstract

Several cues are used to convey musical emotion, the two primary being musical mode and musical tempo. Specifically, major and minor modes tend to be associated with positive and negative valence, respectively, and songs at fast tempi have been associated with more positive valence compared to songs at slow tempi (Balkwill and Thompson, 1999; Webster and Weir, 2005). In Experiment I, we examined the relative weighting of musical tempo and musical mode among adult cochlear implant (CI) users combining electric and contralateral acoustic stimulation, or "bimodal" hearing. Our primary hypothesis was that bimodal listeners would utilize both tempo and mode cues in their musical emotion judgments in a manner similar to normal-hearing listeners. Our secondary hypothesis was that low-frequency (LF) spectral resolution in the non-implanted ear, as quantified via psychophysical tuning curves (PTCs) at 262 and 440 Hz, would be significantly correlated with degree of bimodal benefit for musical emotion perception. In Experiment II, we investigated across-channel spectral resolution using a spectral modulation detection (SMD) task and neural representation of temporal fine structure via the frequency following response (FFR) for a 170-ms /da/ stimulus. Results indicate that CI-alone performance was driven almost exclusively by tempo cues, whereas bimodal listening demonstrated use of both tempo and mode. Additionally, bimodal benefit for musical emotion perception may be correlated with spectral resolution in the non-implanted ear via SMD, as well as neural representation of

Indexed as

bimodalcochlear implantfrequency following responsehearing lossmusical emotionmusic perceptionpsychophysical tuning curvespectral modulation detection

Identifiers

PMID32174809
PMCPMC7054459

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.