Evidence map›Paper›PMID 31868392›Full record

ArticlePsychological review2020

Simultaneous consonance in music perception and composition.

Peter M C Harrison, Marcus T Pearce

Abstract read
In one paragraph

Article in Psychological review, 2020. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 19 papers.

0numbers the graph read from it
0cells of the map it votes in
19citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

19 citing papers in PubMed.

  1. Structure of Musical Dislikes: Findings From Multiple Genres and Countries.Annals of the New York Academy of Sciences · 2026
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  2. Review
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  13. Roughness perception: A multisensory/crossmodal perspective.Attention, perception & psychophysics · 2022
    Review
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  15. Article
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4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

2 authors.

Peter M C HarrisonSchool of Electronic Engineering and Computer Science, Queen Mary University of London.ORCID 0000-0002-9851-9462
Marcus T PearceSchool of Electronic Engineering and Computer Science, Queen Mary University of London.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Simultaneous consonance is a salient perceptual phenomenon corresponding to the perceived pleasantness of simultaneously sounding musical tones. Various competing theories of consonance have been proposed over the centuries, but recently a consensus has developed that simultaneous consonance is primarily driven by harmonicity perception. Here we question this view, substantiating our argument by critically reviewing historic consonance research from a broad variety of disciplines, reanalyzing consonance perception data from 4 previous behavioral studies representing more than 500 participants, and modeling three Western musical corpora representing more than 100,000 compositions. We conclude that simultaneous consonance is a composite phenomenon that derives in large part from three phenomena: interference, periodicity/harmonicity, and cultural familiarity. We formalize this conclusion with a computational model that predicts a musical chord's simultaneous consonance from these three features, and release this model in an open-source R package, incon, alongside 15 other computational models also evaluated in this paper. We hope that this package will facilitate further psychological and musicological research into simultaneous consonance. (PsycINFO Database Record (c) 2020 APA, all rights reserved).

Indexed as

Models, PsychologicalMusicAuditory PerceptionCultureHumansPleasureRecognition, PsychologyTime Factors

Identifiers

PMID31868392
PMCPMC7032667

What OpenQuestion holds

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LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.