ArticleScientific reports2019
Statistical Evolutionary Laws in Music Styles.
Article in Scientific reports, 2019. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 6 papers.
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Who cites it
6 citing papers in PubMed.
- [Effects of classical or heavy metal music in humans and animals: implications for intensive care medicine].Medizinische Klinik, Intensivmedizin und Notfallmedizin · 2024Article
- Latent evolutionary signatures: a general framework for analysing music and cultural evolution.Journal of the Royal Society, Interface · 2024Article
- Dynamic cluster structure and predictive modelling of music creation style distributions.Royal Society open science · 2022Article
- From Beethoven to Beyoncé: Do Changing Aesthetic Cultures Amount to "Cumulative Cultural Evolution?"Frontiers in psychology · 2021Review
- Conformity bias in the cultural transmission of music sampling traditions.Royal Society open science · 2019Article
- Cultural transmission modes of music sampling traditions remain stable despite delocalization in the digital age.PloS one · 2019Article
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Authors and funding
2 authors.
Funding
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Abstract
If a cultural feature is transmitted over generations and exposed to stochastic selection when spreading in a population, its evolution may be governed by statistical laws and be partly predictable, as in the case of genetic evolution. Music exhibits steady changes of styles over time, with new characteristics developing from traditions. Recent studies have found trends in the evolution of music styles, but little is known about their relations to the evolution theory. Here we analyze Western classical music data and find statistical evolutionary laws. For example, distributions of the frequencies of some rare musical events (e.g. dissonant intervals) exhibit steady increase in the mean and standard deviation as well as constancy of their ratio. We then study an evolutionary model where creators learn their data-generation models from past data and generate new data that will be socially selected by evaluators according to the content dissimilarity (novelty) and style conformity (typicality) with respect to the past data. The model reproduces the observed statistical laws and can make non-trivial predictions for the evolution of independent musical features. In addition, the same model with different parameterization can predict the evolution of Japanese enka music, which is developed in a different society and has a qualitatively different tendency of evolution. Our results suggest that the evolution of musical styles can partly be explained and predicted by the evolutionary model incorporating statistical learning, which can be important for other cultures and future music technologies.
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