Evidence map›Paper›PMID 31690870›Full record

ArticleScientific reports2019

Statistical Evolutionary Laws in Music Styles.

Eita Nakamura, Kunihiko Kaneko

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Article in Scientific reports, 2019. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 6 papers.

0numbers the graph read from it
0cells of the map it votes in
6citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

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2 · The registry

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3 · Its place in the literature

Who cites it

6 citing papers in PubMed.

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4 · The record

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5 · Who and what money

Authors and funding

2 authors.

Eita NakamuraThe Hakubi Center for Advanced Research and Graduate School of Informatics, Kyoto University, Sakyo, Kyoto, 606-8501, Japan. eita.nakamura@i.kyoto-u.ac.jp.ORCID http://orcid.org/0000-0003-4097-6027
Kunihiko KanekoCenter for Complex Systems Biology, Universal Biology Institute, University of Tokyo, Meguro, Tokyo, 153-8902, Japan. kaneko@complex.c.u-tokyo.ac.jp.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

If a cultural feature is transmitted over generations and exposed to stochastic selection when spreading in a population, its evolution may be governed by statistical laws and be partly predictable, as in the case of genetic evolution. Music exhibits steady changes of styles over time, with new characteristics developing from traditions. Recent studies have found trends in the evolution of music styles, but little is known about their relations to the evolution theory. Here we analyze Western classical music data and find statistical evolutionary laws. For example, distributions of the frequencies of some rare musical events (e.g. dissonant intervals) exhibit steady increase in the mean and standard deviation as well as constancy of their ratio. We then study an evolutionary model where creators learn their data-generation models from past data and generate new data that will be socially selected by evaluators according to the content dissimilarity (novelty) and style conformity (typicality) with respect to the past data. The model reproduces the observed statistical laws and can make non-trivial predictions for the evolution of independent musical features. In addition, the same model with different parameterization can predict the evolution of Japanese enka music, which is developed in a different society and has a qualitatively different tendency of evolution. Our results suggest that the evolution of musical styles can partly be explained and predicted by the evolutionary model incorporating statistical learning, which can be important for other cultures and future music technologies.

Identifiers

PMID31690870
PMCPMC6831699

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