ArticleFrontiers in psychology2019
Mental Control in Musical Imagery: A Dual Component Model.
Article in Frontiers in psychology, 2019. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 7 papers.
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Who cites it
7 citing papers in PubMed, 33 citations in OpenAlex.
- Development and validation of the Sensitivity to Intrusiveness Questionnaire.Frontiers in psychiatry · 2026Article
- Muscle activity and lower body kinematics change when performing motor imagery of gait.Scientific reports · 2025Article
- Embedding mental rehearsal in surgery: a comprehensive review of the evidence.Frontiers in surgery · 2025Review
- Voluntary musical imagery in music practice: contextual meaning, neuroscientific mechanisms and practical applications.Frontiers in psychology · 2024Review
- Article
- Right-Lateralized Enhancement of the Auditory Cortical Network During Imagined Music Performance.Frontiers in neuroscience · 2022Article
- Mental Effort When Playing, Listening, and Imagining Music in One Pianist's Eyes and Brain.Frontiers in human neuroscience · 2020Article
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Authors and funding
1 author at 1 institution in 1 country.
Funding
No grant is acknowledged in the PubMed record.
Abstract
Hearing music in your head is a ubiquitous experience, but the role mental control plays in these experiences has not been deeply addressed. In this conceptual analysis, a dual-component model of mental control in musical imagery experiences is developed and discussed. The first component, initiation, refers to whether the musical imagery experience began voluntarily or involuntarily. The second component, management, refers to instances of control that occur after the experience has begun (e.g., changing the song, stopping the experience). Given the complex nature of this inner experience, we propose a new model combining and integrating four literatures: lab-based auditory imagery research using musical stimuli; involuntary musical imagery; mental rehearsal and composition in musicians; and
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