ArticleBrain and cognition2019
Preferential activation for emotional Western classical music versus emotional environmental sounds in motor, interoceptive, and language brain areas.
Article in Brain and cognition, 2019. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 5 papers.
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The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.
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Who cites it
5 citing papers in PubMed.
- Distinct neural circuits processing pleasant and unpleasant sounds: an fMRI-based approach.BMC neuroscience · 2025Article
- The effects of music combined to paired associative stimulation on motor-evoked potentials and alertness in spinal cord injury patients and healthy subjects.Scientific reports · 2024Article
- Influence of music on the hearing and mental health of adolescents and countermeasures.Frontiers in neuroscience · 2023Review
- Uncovering potential distinctive acoustic features of healing music.General psychiatry · 2023Article
- Auditory and cross-modal attentional bias toward positive natural sounds: Behavioral and ERP evidence.Frontiers in human neuroscience · 2022Article
Corrections and comments
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Authors and funding
7 authors.
Funding
Abstract
Recent meta analyses suggest there is a common brain network involved in processing emotion in music and sounds. However, no studies have directly compared the neural substrates of equivalent emotional Western classical music and emotional environmental sounds. Using functional magnetic resonance imaging we investigated whether brain activation in motor cortex, interoceptive cortex, and Broca's language area during an auditory emotional appraisal task differed as a function of stimulus type. Activation was relatively greater to music in motor and interoceptive cortex - areas associated with movement and internal physical feelings - and relatively greater to emotional environmental sounds in Broca's area. We conclude that emotional environmental sounds are appraised through verbal identification of the source, and that emotional Western classical music is appraised through evaluation of bodily feelings. While there is clearly a common core emotion-processing network underlying all emotional appraisal, modality-specific contextual information may be important for understanding the contribution of voluntary versus automatic appraisal mechanisms.
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