ArticleFrontiers in neuroscience2019
A Compound Computational Model for Filling-In Processes Triggered by Edges: Watercolor Illusions.
Article in Frontiers in neuroscience, 2019. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 3 papers.
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Who cites it
3 citing papers in PubMed.
- Watercolor spreading in Bridget Riley's and Piet Mondrian's op-art placed in the context of recent watercolor studies.Journal of vision · 2024Review
- Computational modeling of color perception with biologically plausible spiking neural networks.PLoS computational biology · 2022Article
- Signals from Single-Opponent Cortical Cells in the Human cVEP.The Journal of neuroscience : the official journal of the Society for Neuroscience · 2022Article
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2 authors.
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Abstract
The goal of our research was to develop a compound computational model with the ability to predict different variations of the "watercolor effects" and additional filling-in effects that are triggered by edges. The model is based on a filling-in mechanism solved by a Poisson equation, which considers the different gradients as "heat sources" after the gradients modification. The biased (modified) contours (edges) are ranked and determined according to their dominancy across the different chromatic and achromatic channels. The color and intensity of the perceived surface are calculated through a diffusive filling-in process of color triggered by the enhanced and biased edges of stimulus formed as a result of oriented double-opponent receptive fields. The model can successfully predict both the assimilative and non-assimilative watercolor effects, as well as a number of "conflicting" visual effects. Furthermore, the model can also predict the classic Craik-O'Brien-Cornsweet (COC) effect. In summary, our proposed computational model is able to predict most of the "conflicting" filling-in effects that derive from edges that have been recently described in the literature, and thus supports the theory that a shared visual mechanism is responsible for the vast variety of the "conflicting" filling-in effects that derive from edges.
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