Evidence map›Paper›PMID 30923341›Full record

ArticleScientific reports2019

White spaces, music notation and the facilitation of sight-reading.

Arild Stenberg, Ian Cross

Open access · goldAbstract read
In one paragraph

Article in Scientific reports, 2019. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 4 papers.

0numbers the graph read from it
0cells of the map it votes in
4citing papers in PubMed
0.2field-weighted citation impact, top 47% of its field
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

4 citing papers in PubMed, 15 citations in OpenAlex.

  1. The Effect of Dioptric Blur on Sight-Reading Music.Ophthalmic & physiological optics : the journal of the British College of Ophthalmic Opticians (Optometrists) · 2026
    Article
  2. Review
  3. Article
  4. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

2 authors at 1 institution in 1 country.

Arild StenbergCentre for Music and Science, Faculty of Music, University of Cambridge, West Road, Cambridge, CB3 9DP, UK.
Ian CrossCentre for Music and Science, Faculty of Music, University of Cambridge, West Road, Cambridge, CB3 9DP, UK. ic108@cam.ac.uk.ORCID http://orcid.org/0000-0002-2404-7765
University of Cambridge · GB

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

The use of interword separation has consistently been proven to enhance fluency in reading language scripts. At the same time, neurophysiological evidence has shown that music and language scripts can activate very similar neural circuitry that integratively encodes the symbols that comprise them. By analogy to interword separations in language, we hypothesize that visual separation cues in musical scores should facilitate music reading. We report an experiment in which separating short fragments of musical discourse by vertical white gaps in the notation enhanced sight-reading fluency by significantly reducing the number of mistakes that musicians made when reading the scores without previous preparation. These results are in accordance with a view of music reading as sharing cognitive strategies with language reading; they have significant implications for our understanding of the acquisition of musical literacy and for the design of musical scores, and for our knowledge of the sense-making processes involved in reading in general.

Indexed as

MusicReadingAdolescentCognitionFemaleHumansMalePattern Recognition, VisualReaction TimeYoung Adult

Identifiers

PMID30923341
PMCPMC6439220
OpenAlexW2922796511

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.