Evidence map›Paper›PMID 30660927›Full record

ArticleConsciousness and cognition2019

Eye gaze as a means of giving and seeking information during musical interaction.

Laura Bishop, Carlos Cancino-Chacón, Werner Goebl

Abstract read
In one paragraph

Article in Consciousness and cognition, 2019. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 8 papers.

0numbers the graph read from it
0cells of the map it votes in
8citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

8 citing papers in PubMed.

  1. Review
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4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

3 authors.

Laura BishopAustrian Research Institute for Artificial Intelligence (OFAI), Vienna, Austria. Electronic address: laura.bishop@ofai.at.
Carlos Cancino-ChacónAustrian Research Institute for Artificial Intelligence (OFAI), Vienna, Austria; Institute of Computational Perception, Johannes Kepler University Linz, Austria.
Werner GoeblDept. of Music Acoustics, University of Music and Performing Arts Vienna, Austria.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

During skilled music ensemble performance, a multi-layered network of interaction processes allows musicians to negotiate common interpretations of ambiguously-notated music in real-time. This study investigated the conditions that encourage visual interaction during duo performance. Duos recorded performances of a new piece before and after a period of rehearsal. Mobile eye tracking and motion capture were used in combination to map uni- and bidirectional eye gaze patterns. Musicians watched each other more during temporally-unstable passages than during regularly-timed passages. They also watched each other more after rehearsal than before. Duo musicians may seek visual interaction with each other primarily, but not exclusively, when coordination is threatened by temporal instability. Visual interaction increases as musicians become familiar with the piece, suggesting that they visually monitor each other once a shared interpretation of the piece is established. Visual monitoring of co-performers' movements and attention may facilitate feelings of engagement and high-level creative collaboration.

Indexed as

Cooperative BehaviorGesturesInterpersonal RelationsMusicAdultAttentionAuditory PerceptionEye Movement MeasurementsFemaleFixation, OcularHumansMaleVisual PerceptionAttentionBody gesturesCommunicationCoordinationEye gazeJoint actionVisual interaction

Identifiers

PMID30660927
PMCPMC6374286

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.