Evidence map›Paper›PMID 30627768›Full record

ArticlePsychological research2020

I still hear a melody: investigating temporal dynamics of the Speech-to-Song Illusion.

Gerben Groenveld, John Ashley Burgoyne, Makiko Sadakata

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Article in Psychological research, 2020. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 6 papers.

0numbers the graph read from it
0cells of the map it votes in
6citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

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The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

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3 · Its place in the literature

Who cites it

6 citing papers in PubMed.

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4 · The record

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PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

3 authors.

Gerben GroenveldMusicology Department, University of Amsterdam, Amsterdam, The Netherlands.
John Ashley BurgoyneMusicology Department, University of Amsterdam, Amsterdam, The Netherlands.
Makiko SadakataMusicology Department, University of Amsterdam, Amsterdam, The Netherlands. m.sadakata@uva.nl.ORCID http://orcid.org/0000-0002-3931-0642

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

The Speech-to-Song Illusion (STS) refers to a dramatic shift in our perception of short speech fragments which, when repeatedly presented, may start to sound-like song. Anecdotally, once it is perceived as a song, it is difficult to unhear the melody of a speech fragment, and such temporal dynamics of the STS illusion has theoretical implications. The goal of the current study is to capture this temporal effect. In our experiment, speech fragments that initially did not elicit the STS illusion were manipulated to have increasingly stable F0 contours to strengthen the perceived 'song-likeness' of a fragment. Over the course of trials, the speech fragments with manipulated contours were repeatedly presented within blocks of decreasing, increasing, or random orders of F0 manipulations. Results showed that a presentation order where participants first heard the sentence with the maximum amount of F0 manipulations (decreasing condition) resulted in participants continuously giving higher overall song-like ratings than other presentation orders (increasing or random conditions). Our results thus capture the commonly reported phenomenon that it is hard to 'unhear' the illusion once a speech segment has been perceived as song.

Indexed as

LanguageMusicAcoustic StimulationAdolescentAdultFemaleHumansIllusionsMaleMiddle AgedSpeechSpeech PerceptionYoung Adult

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.