Evidence map›Paper›PMID 30284115›Full record

ArticlePsychonomic bulletin & review2019

A cost of musical training? Sensorimotor flexibility in musical sequence learning.

Peter Q Pfordresher, Karen Chow

Abstract read
PubMed Publisher
In one paragraph

Article in Psychonomic bulletin & review, 2019. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 5 papers.

0numbers the graph read from it
0cells of the map it votes in
5citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

5 citing papers in PubMed.

  1. Article
  2. Article
  3. Review
  4. Article
  5. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

2 authors.

Peter Q PfordresherUniversity at Buffalo, State University of New York, 206-B Park Hall, Buffalo, NY, 14226, USA. pqp@buffalo.edu.
Karen ChowUniversity at Buffalo, State University of New York, 226 Park Hall, Buffalo, NY, 14226, USA.

Funding

National Science Foundation BCS-1256964
6 · The paper itself

Abstract

We report an experiment that tested the flexibility of sensorimotor learning in sequence production. Nonpianists and pianists learned simple melodies by ear under one of two auditory feedback conditions: one with normal pitch mapping (higher pitches to the right) and one with an inverted (reversed) mapping. After learning, both groups played melodies from memory while experiencing each feedback condition. Both groups exhibited sensorimotor learning and produced fewer errors at test while hearing the feedback used during training as opposed to the alternate feedback condition. However, learning was unstable for pianists who learned melodies with an inverted feedback condition, who produced more errors at test than pianists who learned melodies with normal-pitch mapping. Acquiring musical skill may therefore constrain subsequent sensorimotor flexibility.

Indexed as

MusicAdultAuditory PerceptionFeedback, SensoryFemaleHumansMalePitch PerceptionPsychomotor PerformanceSerial LearningYoung AdultAuditory feedbackMusical trainingMusic performanceSensorimotor learningSkill acquisition

Identifiers

What OpenQuestion holds

Textmetadata
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.