ArticleFrontiers in neuroscience2018
Preferred Tempo and Low-Audio-Frequency Bias Emerge From Simulated Sub-cortical Processing of Sounds With a Musical Beat.
Article in Frontiers in neuroscience, 2018. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 9 papers.
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Who cites it
9 citing papers in PubMed.
- Lateralised neural mechanisms facilitate auditory self-other distinction and coordination in human dyads.PLoS biology · 2026Article
- Revealing rhythm categorization in human brain activity.Science advances · 2025Article
- Pitch biases sensorimotor synchronization to auditory rhythms.Scientific reports · 2025Article
- Measuring self-similarity in empirical signals to understand musical beat perception.The European journal of neuroscience · 2025Article
- Phylogenic evolution of beat perception and synchronization: a comparative neuroscience perspective.Frontiers in systems neuroscience · 2023Review
- Spontaneous beat synchronization in rats: Neural dynamics and motor entrainment.Science advances · 2022Article
- Envelope reconstruction of speech and music highlights stronger tracking of speech at low frequencies.PLoS computational biology · 2021Article
- Spatial Connectivity and Temporal Dynamic Functional Network Connectivity of Musical Emotions Evoked by Dynamically Changing Tempo.Frontiers in neuroscience · 2021Article
- Auditory cortical representation of music favours the perceived beat.Royal Society open science · 2020Article
Corrections and comments
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Authors and funding
3 authors.
Funding
Abstract
Prior research has shown that musical beats are salient at the level of the cortex in humans. Yet below the cortex there is considerable sub-cortical processing that could influence beat perception. Some biases, such as a tempo preference and an audio frequency bias for beat timing, could result from sub-cortical processing. Here, we used models of the auditory-nerve and midbrain-level amplitude modulation filtering to simulate sub-cortical neural activity to various beat-inducing stimuli, and we used the simulated activity to determine the tempo or beat frequency of the music. First, irrespective of the stimulus being presented, the preferred tempo was around 100 beats per minute, which is within the range of tempi where tempo discrimination and tapping accuracy are optimal. Second, sub-cortical processing predicted a stronger influence of lower audio frequencies on beat perception. However, the tempo identification algorithm that was optimized for simple stimuli often failed for recordings of music. For music, the most highly synchronized model activity occurred at a multiple of the beat frequency. Using bottom-up processes alone is insufficient to produce beat-locked activity. Instead, a learned and possibly top-down mechanism that scales the synchronization frequency to derive the beat frequency greatly improves the performance of tempo identification.
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Registered trials
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