ArticleFrontiers in psychology2018
Cross-Modal Perception of Noise-in-Music: Audiences Generate Spiky Shapes in Response to Auditory Roughness in a Novel Electroacoustic Concert Setting.
Article in Frontiers in psychology, 2018. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 5 papers.
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The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.
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Who cites it
5 citing papers in PubMed.
- The Bouba-Kiki effect is predicted by sound properties but not speech properties.Attention, perception & psychophysics · 2024Article
- Article
- Roughness perception: A multisensory/crossmodal perspective.Attention, perception & psychophysics · 2022Review
- Motor performance in violin bowing: Effects of attentional focus on acoustical, physiological and physical parameters of a sound-producing action.Journal of new music research · 2021Article
- Stimulus Parameters Underlying Sound-Symbolic Mapping of Auditory Pseudowords to Visual Shapes.Cognitive science · 2020Article
Corrections and comments
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Authors and funding
4 authors.
Funding
No grant is acknowledged in the PubMed record.
Abstract
Noise has become integral to electroacoustic music aesthetics. In this paper, we define noise as sound that is high in auditory roughness, and examine its effect on cross-modal mapping between sound and visual shape in participants. In order to preserve the ecological validity of contemporary music aesthetics, we developed
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Registered trials
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