Evidence map›Paper›PMID 29320533›Full record

ArticlePloS one2018

What makes a rhythm complex? The influence of musical training and accent type on beat perception.

Fleur L Bouwer, J Ashley Burgoyne, Daan Odijk, Henkjan Honing, Jessica A Grahn

Abstract read
In one paragraph

Article in PloS one, 2018. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 24 papers.

0numbers the graph read from it
0cells of the map it votes in
24citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

24 citing papers in PubMed.

  1. Complexity is a unified cognitive kind.Nature human behaviour · 2026
    Article
  2. Critical Review on the Development and Evolution of Beat Perception.Annals of the New York Academy of Sciences · 2026
    Review
  3. Article
  4. Article
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  6. Behavior-Relevant Periodized Neural Representation of Acoustic But Not Tactile Rhythm in Humans.The Journal of neuroscience : the official journal of the Society for Neuroscience · 2025
    Article
  7. Article
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  9. Review
  10. Article
  11. Article
  12. Article
  13. Article
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  15. Article
  16. Article
  17. Rhythmic abilities in humans and non-human animals: a review and recommendations from a methodological perspective.Philosophical transactions of the Royal Society of London. Series B, Biological sciences · 2021
    Review
  18. Article
  19. Tapping Force Encodes Metrical Aspects of Rhythm.Frontiers in human neuroscience · 2021
    Article
  20. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

5 authors.

Fleur L BouwerInstitute for Logic, Language and Computation, University of Amsterdam, Amsterdam, The Netherlands.ORCID 0000-0001-7064-7481
J Ashley BurgoyneInstitute for Logic, Language and Computation, University of Amsterdam, Amsterdam, The Netherlands.
Daan OdijkInformatics Institute, University of Amsterdam, Amsterdam, The Netherlands.
Henkjan HoningInstitute for Logic, Language and Computation, University of Amsterdam, Amsterdam, The Netherlands.
Jessica A GrahnBrain and Mind Institute, Department of Psychology, University of Western Ontario, London (ON), Canada.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Perception of a regular beat in music is inferred from different types of accents. For example, increases in loudness cause intensity accents, and the grouping of time intervals in a rhythm creates temporal accents. Accents are expected to occur on the beat: when accents are "missing" on the beat, the beat is more difficult to find. However, it is unclear whether accents occurring off the beat alter beat perception similarly to missing accents on the beat. Moreover, no one has examined whether intensity accents influence beat perception more or less strongly than temporal accents, nor how musical expertise affects sensitivity to each type of accent. In two experiments, we obtained ratings of difficulty in finding the beat in rhythms with either temporal or intensity accents, and which varied in the number of accents on the beat as well as the number of accents off the beat. In both experiments, the occurrence of accents on the beat facilitated beat detection more in musical experts than in musical novices. In addition, the number of accents on the beat affected beat finding more in rhythms with temporal accents than in rhythms with intensity accents. The effect of accents off the beat was much weaker than the effect of accents on the beat and appeared to depend on musical expertise, as well as on the number of accents on the beat: when many accents on the beat are missing, beat perception is quite difficult, and adding accents off the beat may not reduce beat perception further. Overall, the different types of accents were processed qualitatively differently, depending on musical expertise. Therefore, these findings indicate the importance of designing ecologically valid stimuli when testing beat perception in musical novices, who may need different types of accent information than musical experts to be able to find a beat. Furthermore, our findings stress the importance of carefully designing rhythms for social and clinical applications of beat perception, as not all listeners treat all rhythms alike.

Indexed as

Auditory PerceptionMusicAdolescentAdultAgedFemaleHumansMaleMiddle Aged

Identifiers

PMID29320533
PMCPMC5761885

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Registered trials

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.