Evidence map›Paper›PMID 28582467›Full record

ReviewPloS one2017

Measuring aesthetic emotions: A review of the literature and a new assessment tool.

Ines Schindler, Georg Hosoya, Winfried Menninghaus, Ursula Beermann, Valentin Wagner, Michael Eid, Klaus R Scherer

Open access · goldAbstract readReview
In one paragraph

Review in PloS one, 2017. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 94 papers, 2 of them syntheses that pooled it.

0numbers the graph read from it
0cells of the map it votes in
94citing papers in PubMed, 2 pooled it
8.7field-weighted citation impact, top 2% of its field
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

94 citing papers in PubMed, 2 syntheses or guidelines pooled it, 355 citations in OpenAlex.

  1. Pooled it
  2. Pooled it
  3. Trial
  4. Trial
  5. Article
  6. Expressing emotions through music.Philosophical transactions of the Royal Society of London. Series B, Biological sciences · 2026
    Review
  7. Article
  8. Article
  9. Article
  10. Article
  11. Does Conflictual Dialogue Improve a Story?Europe's journal of psychology · 2026
    Article
  12. Article
  13. Article
  14. Article
  15. Article
  16. Article
  17. Article
  18. Article
  19. Article
  20. Beyond Psyche: Aesthetic Attunement and Alternative Psychological Care Through the Heart.Review of general psychology : journal of Division 1, of the American Psychological Association · 2025
    Article

34 more citing papers are in PubMed but not listed here.

4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

7 authors at 4 institutions in 3 countries.

Ines SchindlerDepartment of Education and Psychology, Freie Universität Berlin, Berlin, Germany.ORCID http://orcid.org/0000-0002-5268-2643
Georg HosoyaDepartment of Education and Psychology, Freie Universität Berlin, Berlin, Germany.
Winfried MenninghausDepartment of Language and Literature, Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.
Ursula BeermannDepartment of Psychology, University of Innsbruck, Innsbruck, Austria.
Valentin WagnerDepartment of Language and Literature, Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.
Michael EidDepartment of Education and Psychology, Freie Universität Berlin, Berlin, Germany.
Klaus R SchererDepartment of Psychology, University of Geneva, Geneva, Switzerland.
Max Planck Institute for Empirical Aesthetics · DEFreie Universität Berlin · DEUniversität Innsbruck · ATUniversity of Geneva · CH

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Aesthetic perception and judgement are not merely cognitive processes, but also involve feelings. Therefore, the empirical study of these experiences requires conceptualization and measurement of aesthetic emotions. Despite the long-standing interest in such emotions, we still lack an assessment tool to capture the broad range of emotions that occur in response to the perceived aesthetic appeal of stimuli. Elicitors of aesthetic emotions are not limited to the arts in the strict sense, but extend to design, built environments, and nature. In this article, we describe the development of a questionnaire that is applicable across many of these domains: the Aesthetic Emotions Scale (Aesthemos). Drawing on theoretical accounts of aesthetic emotions and an extensive review of extant measures of aesthetic emotions within specific domains such as music, literature, film, painting, advertisements, design, and architecture, we propose a framework for studying aesthetic emotions. The Aesthemos, which is based on this framework, contains 21 subscales with two items each, that are designed to assess the emotional signature of responses to stimuli's perceived aesthetic appeal in a highly differentiated manner. These scales cover prototypical aesthetic emotions (e.g., the feeling of beauty, being moved, fascination, and awe), epistemic emotions (e.g., interest and insight), and emotions indicative of amusement (humor and joy). In addition, the Aesthemos subscales capture both the activating (energy and vitality) and the calming (relaxation) effects of aesthetic experiences, as well as negative emotions that may contribute to aesthetic displeasure (e.g., the feeling of ugliness, boredom, and confusion).

Indexed as

BeautyResearch DesignAdultAgedArchitectureCreativityEstheticsFemaleHumansJudgmentLiteratureMaleMiddle AgedMusicPaintingsPleasure

Identifiers

PMID28582467
PMCPMC5459466
OpenAlexW2621519993

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.