ArticleScientific reports2017
Optimal asymmetry and other motion parameters that characterise high-quality female dance.
Article in Scientific reports, 2017. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 5 papers.
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Who cites it
5 citing papers in PubMed.
- Mate assessment based on physical characteristics: a review and reflection.Biological reviews of the Cambridge Philosophical Society · 2025Review
- Unique models of embodied cognition and eco-social niches proposed to validate hypothesis of social attunement and mis-attunement with a focus on autism.Frontiers in psychiatry · 2025Article
- EMOKINE: A software package and computational framework for scaling up the creation of highly controlled emotional full-body movement datasets.Behavior research methods · 2024Article
- Article
- A 5-emotions stimuli set for emotion perception research with full-body dance movements.Scientific reports · 2023Article
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7 authors.
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Abstract
Dance is a universal human behaviour that is observed particularly in courtship contexts, and that provides information that could be useful to potential partners. Here, we use a data-driven approach to pinpoint the movements that discriminate female dance quality. Using 3D motion-capture we recorded women whilst they danced to a basic rhythm. Video clips of 39 resultant avatars were rated for dance quality, and those ratings were compared to quantitative measurements of the movement patterns using multi-level models. Three types of movement contributed independently to high-quality female dance: greater hip swing, more asymmetric movements of the thighs, and intermediate levels of asymmetric movements of the arms. Hip swing is a trait that identifies female movement, and the ability to move limbs asymmetrically (i.e. independently of the other) may attest to well-developed motor control, so long as this limb independence does not verge into uncontrolled pathological movement. We also found that the same level of dance quality could be predicted by different combinations of dance features. Our work opens avenues to exploring the functional significance, informational content, and temporal sequencing of the different types of movement in dance.
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