Evidence map›Paper›PMID 28174518›Full record

ArticleFrontiers in neuroscience2017

Assessing Music Perception in Young Children: Evidence for and Psychometric Features of the M-Factor.

Caio G Barros, Walter Swardfager, Sylvain Moreno, Graziela Bortz, Beatriz Ilari, Andrea P Jackowski, George Ploubidis, Todd D Little, Alexandra Lamont, Hugo Cogo-Moreira

Open access · goldAbstract read
In one paragraph

Article in Frontiers in neuroscience, 2017. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 5 papers.

0numbers the graph read from it
0cells of the map it votes in
5citing papers in PubMed
19.2field-weighted citation impact, top 1% of its field
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

5 citing papers in PubMed, 15 citations in OpenAlex.

  1. Article
  2. Inherent auditory skills rather than formal music training shape the neural encoding of speech.Proceedings of the National Academy of Sciences of the United States of America · 2018
    Article
  3. Article
  4. Article
  5. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

10 authors at 7 institutions in 4 countries.

Caio G BarrosMusic Department, State University of São Paulo (UNESP) São Paulo, Brazil.
Walter SwardfagerDepartment of Pharmacology and Toxicology, University of TorontoToronto, ON, Canada; Hurvitz Brain Sciences Program, Sunnybrook Research InstituteToronto, ON, Canada.
Sylvain MorenoSchool of Engineering, Simon Fraser University Surrey, BC, Canada.
Graziela BortzMusic Department, State University of São Paulo (UNESP) São Paulo, Brazil.
Beatriz IlariThornton School of Music (Program of Music Teaching and Learning), University of Southern California Los Angeles, CA, USA.
Andrea P JackowskiDepartment of Psychiatry and Medical Psychology, Federal University of Sao Paulo São Paulo, Brazil.
George PloubidisDepartment of Social Sciences, Center of Longitudinal Studies, University College of London (Institute of Education) London, UK.
Todd D LittleInstitute for Measurement, Methodology, Analysis, and Policy, Texas Tech University Lubbock, TX, USA.
Alexandra LamontFaculty of Natural Sciences and School of Psychology, Keele University Keele, UK.
Hugo Cogo-MoreiraDepartment of Psychiatry and Medical Psychology, Federal University of Sao Paulo São Paulo, Brazil.
Universidade Estadual Paulista (Unesp) · BRUniversidade Federal de São Paulo · BRKeele University · GBSimon Fraser University · CATexas Tech University · USUniversity of Southern California · USUniversity of Toronto · CA

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Given the relationship between language acquisition and music processing, musical perception (MP) skills have been proposed as a tool for early diagnosis of speech and language difficulties; therefore, a psychometric instrument is needed to assess music perception in children under 10 years of age, a crucial period in neurodevelopment. We created a set of 80 musical stimuli encompassing seven domains of music perception to inform perception of tonal, atonal, and modal stimuli, in a random sample of 1006 children, 6-13 years of age, equally distributed from first to fifth grades, from 14 schools (38% private schools) in So Paulo State. The underlying model was tested using confirmatory factor analysis. A model encompassing seven orthogonal specific domains (contour, loudness, scale, timbre, duration, pitch, and meter) and one general music perception factor, the "m-factor," showed excellent fit indices. The m-factor, previously hypothesized in the literature but never formally tested, explains 93% of the reliable variance in measurement, while only 3.9% of the reliable variance could be attributed to the multidimensionality caused by the specific domains. The 80 items showed no differential item functioning based on sex, age, or enrolment in public vs. private school, demonstrating the important psychometric feature of invariance. Like Charles Spearman's g-factor of intelligence, the m-factor is robust and reliable. It provides a convenient measure of auditory stimulus apprehension that does not rely on verbal information, offering a new opportunity to probe biological and psychological relationships with music perception phenomena and the etiologies of speech and language disorders.

Indexed as

assessmentbifactor modelchildrenhearingmusic perceptionpsychometrics

Identifiers

PMID28174518
PMCPMC5258735
OpenAlexW2581531987

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.