Evidence map›Paper›PMID 26811447›Full record

ArticleProceedings of the National Academy of Sciences of the United States of America2016

Songbirds use spectral shape, not pitch, for sound pattern recognition.

Micah R Bregman, Aniruddh D Patel, Timothy Q Gentner

Abstract read
In one paragraph

Article in Proceedings of the National Academy of Sciences of the United States of America, 2016. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 29 papers.

0numbers the graph read from it
0cells of the map it votes in
29citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

29 citing papers in PubMed.

  1. Trial
  2. Article
  3. Article
  4. Core systems of music perception.Trends in cognitive sciences · 2025
    Review
  5. Article
  6. Article
  7. Article
  8. Meaning in Music Is Intentional, but in Soundscape It Is Not-A Naturalistic Approach to the Qualia of Sounds.International journal of environmental research and public health · 2022
    Review
  9. An allometric prior enhances acoustic niche partitioning signal.Journal of the Royal Society, Interface · 2022
    Article
  10. Article
  11. Musicality in human vocal communication: an evolutionary perspective.Philosophical transactions of the Royal Society of London. Series B, Biological sciences · 2022
    Article
  12. Article
  13. Article
  14. Review
  15. Time-dependent discrimination advantages for harmonic sounds suggest efficient coding for memory.Proceedings of the National Academy of Sciences of the United States of America · 2020
    Observational
  16. Article
  17. Article
  18. Origins of music in credible signaling.The Behavioral and brain sciences · 2020
    Article
  19. Auditory Selectivity for Spectral Contrast in Cortical Neurons and Behavior.The Journal of neuroscience : the official journal of the Society for Neuroscience · 2020
    Article
  20. Article
4 · The record

Corrections and comments

5 · Who and what money

Authors and funding

3 authors.

Micah R BregmanDepartment of Cognitive Science, University of California, San Diego, La Jolla, CA 92093;
Aniruddh D PatelDepartment of Psychology, Tufts University, Medford, MA 02155;
Timothy Q GentnerDepartment of Psychology, University of California, San Diego, La Jolla, CA 92093; Section of Neurobiology, University of California, San Diego, La Jolla, CA 92093; Neurosciences Graduate Program, University of California, San Diego, La Jolla, CA 92093; Kavli Institute for Brain and Mind, La Jolla, CA 92093 tgentner@ucsd.edu.

Funding

Auditory Mechanisms for Complex Acoustic CommunicationR01DC008358 · NIDCD · UNIVERSITY OF CALIFORNIA, SAN DIEGO · PI GENTNER, TIMOTHY Q · 2007 to 2011
$1.9M
NIDCD NIH HHS R01 DC008358
6 · The paper itself

Abstract

Humans easily recognize "transposed" musical melodies shifted up or down in log frequency. Surprisingly, songbirds seem to lack this capacity, although they can learn to recognize human melodies and use complex acoustic sequences for communication. Decades of research have led to the widespread belief that songbirds, unlike humans, are strongly biased to use absolute pitch (AP) in melody recognition. This work relies almost exclusively on acoustically simple stimuli that may belie sensitivities to more complex spectral features. Here, we investigate melody recognition in a species of songbird, the European Starling (Sturnus vulgaris), using tone sequences that vary in both pitch and timbre. We find that small manipulations altering either pitch or timbre independently can drive melody recognition to chance, suggesting that both percepts are poor descriptors of the perceptual cues used by birds for this task. Instead we show that melody recognition can generalize even in the absence of pitch, as long as the spectral shapes of the constituent tones are preserved. These results challenge conventional views regarding the use of pitch cues in nonhuman auditory sequence recognition.

Indexed as

SoundSound SpectrographyAcoustic StimulationAnimalsBehavior, AnimalNoisePattern Recognition, PhysiologicalPitch PerceptionStarlingsabsolute pitchcomparative cognitionpattern perceptionpitch processingsongbirds

Identifiers

PMID26811447
PMCPMC4760803

What OpenQuestion holds

Textmetadata
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.