Evidence map›Paper›PMID 26755584›Full record

ArticleProceedings of the National Academy of Sciences of the United States of America2016

Covert digital manipulation of vocal emotion alter speakers' emotional states in a congruent direction.

Jean-Julien Aucouturier, Petter Johansson, Lars Hall, Rodrigo Segnini, Lolita Mercadié, Katsumi Watanabe

Abstract read
In one paragraph

Article in Proceedings of the National Academy of Sciences of the United States of America, 2016. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 10 papers, 1 of them a synthesis that pooled it.

0numbers the graph read from it
0cells of the map it votes in
10citing papers in PubMed, 1 pooled it
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

10 citing papers in PubMed, 1 synthesis or guideline pooled it.

  1. Social cognition in mild cognitive impairment and dementia: A systematic review and meta-analysis.Alzheimer's & dementia : the journal of the Alzheimer's Association · 2025
    Pooled it
  2. Article
  3. The shallow of your smile: the ethics of expressive vocal deep-fakes.Philosophical transactions of the Royal Society of London. Series B, Biological sciences · 2022
    Article
  4. Even violins can cry: specifically vocal emotional behaviours also drive the perception of emotions in non-vocal music.Philosophical transactions of the Royal Society of London. Series B, Biological sciences · 2021
    Article
  5. Article
  6. Article
  7. Article
  8. Review
  9. Article
  10. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

6 authors.

Jean-Julien AucouturierScience and Technology of Music and Sound (STMS UMR9912), CNRS/Institut de Recherche et Coordination en Acoustique et Musique (IRCAM)/Université Pierre et Marie Curie (UPMC), 74005 Paris, France; aucouturier@gmail.com.ORCID http://orcid.org/0000-0002-4477-4812
Petter JohanssonLund University Cognitive Science, Lund University, 221 00 Lund, Sweden; Swedish Collegium for Advanced Study, Uppsala University, 752 38 Uppsala, Sweden;
Lars HallLund University Cognitive Science, Lund University, 221 00 Lund, Sweden;
Rodrigo SegniniSiemens Healthcare, 141-8644 Tokyo, Japan; Communication Science Laboratories, Nippon Telegraph and Telephone (NTT) Corporation, 243-0198 Kanagawa, Japan;
Lolita MercadiéLaboratoire d'Etude de l'Apprentissage et du Développement (LEAD UMR5022), CNRS/Université de Bourgogne, 21000 Dijon, France;
Katsumi WatanabeDepartment of Intermedia Art and Science, Faculty of Science and Engineering, Waseda University, 169-8555 Tokyo, Japan; Research Center for Advanced Science and Technology, the University of Tokyo, 153 8904 Tokyo, Japan.

Funding

European Research Council 335536
6 · The paper itself

Abstract

Research has shown that people often exert control over their emotions. By modulating expressions, reappraising feelings, and redirecting attention, they can regulate their emotional experience. These findings have contributed to a blurring of the traditional boundaries between cognitive and emotional processes, and it has been suggested that emotional signals are produced in a goal-directed way and monitored for errors like other intentional actions. However, this interesting possibility has never been experimentally tested. To this end, we created a digital audio platform to covertly modify the emotional tone of participants' voices while they talked in the direction of happiness, sadness, or fear. The result showed that the audio transformations were being perceived as natural examples of the intended emotions, but the great majority of the participants, nevertheless, remained unaware that their own voices were being manipulated. This finding indicates that people are not continuously monitoring their own voice to make sure that it meets a predetermined emotional target. Instead, as a consequence of listening to their altered voices, the emotional state of the participants changed in congruence with the emotion portrayed, which was measured by both self-report and skin conductance level. This change is the first evidence, to our knowledge, of peripheral feedback effects on emotional experience in the auditory domain. As such, our result reinforces the wider framework of self-perception theory: that we often use the same inferential strategies to understand ourselves as those that we use to understand others.

Indexed as

EmotionsVoiceAdolescentAgedFemaleHumansSelf Conceptdigital audio effectsemotion monitoringself-perceptionvocal feedbackvoice emotion

Identifiers

PMID26755584
PMCPMC4743803

What OpenQuestion holds

Textmetadata
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.