Evidence map›Paper›PMID 26579029›Full record

ArticleFrontiers in psychology2015

Non-expert listeners show decreased heart rate and increased blood pressure (fear bradycardia) in response to atonal music.

Alice M Proverbio, Luigi Manfrin, Laura A Arcari, Francesco De Benedetto, Martina Gazzola, Matteo Guardamagna, Valentina Lozano Nasi, Alberto Zani

Abstract read
In one paragraph

Article in Frontiers in psychology, 2015. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 15 papers.

0numbers the graph read from it
0cells of the map it votes in
15citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

15 citing papers in PubMed.

  1. Article
  2. Effects of music elements on mycophenolate glucuronidation in rat liver microsomes.Journal of pharmacy & pharmaceutical sciences : a publication of the Canadian Society for Pharmaceutical Sciences, Societe canadienne des sciences pharmaceutiques · 2026
    Article
  3. Article
  4. Article
  5. Audio-visual concert performances synchronize audience's heart rates.Annals of the New York Academy of Sciences · 2025
    Article
  6. Article
  7. The aesthetic valve: how aesthetic appreciation may switch emotional states from anxiety to curiosity.Philosophical transactions of the Royal Society of London. Series B, Biological sciences · 2024
    Article
  8. Article
  9. Article
  10. Article
  11. Article
  12. Article
  13. Article
  14. Article
  15. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

8 authors.

Alice M ProverbioDepartment of Psychology, University of Milano-Bicocca Milan, Italy.
Luigi ManfrinConservatory of Music "Lucio Campiani" Mantova, Italy.
Laura A ArcariDepartment of Psychology, University of Milano-Bicocca Milan, Italy.
Francesco De BenedettoDepartment of Psychology, University of Milano-Bicocca Milan, Italy.
Martina GazzolaDepartment of Psychology, University of Milano-Bicocca Milan, Italy.
Matteo GuardamagnaDepartment of Psychology, University of Milano-Bicocca Milan, Italy.
Valentina Lozano NasiDepartment of Psychology, University of Milano-Bicocca Milan, Italy.
Alberto ZaniInstitute of Molecular Bioimaging and Physiology - National Research Council Milan, Italy.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Previous studies suggested that listening to different types of music may modulate differently psychological mood and physiological responses associated with the induced emotions. In this study the effect of listening to instrumental classical vs. atonal contemporary music was examined in a group of 50 non-expert listeners. The subjects' heart rate and diastolic and systolic blood pressure values were measured while they listened to music of different style and emotional typologies. Pieces were selected by asking a group of composers and conservatory professors to suggest a list of the most emotional music pieces (from Renaissance to present time). A total of 214 suggestions from 20 respondents were received. Then it was asked them to identify which pieces best induced in the listener feelings of agitation, joy or pathos and the number of suggested pieces per style was computed. Atonal pieces were more frequently indicated as agitating, and tonal pieces as joyful. The presence/absence of tonality in a musical piece did not affect the affective dimension of pathos (being touching). Among the most frequently cited six pieces were selected that were comparable for structure and style, to represent each emotion and style. They were equally evaluated as unfamiliar by an independent group of 10 students of the same cohort) and were then used as stimuli for the experimental session in which autonomic parameters were recorded. Overall, listening to atonal music (independent of the pieces' emotional characteristics) was associated with a reduced heart rate (fear bradycardia) and increased blood pressure (both diastolic and systolic), possibly reflecting an increase in alertness and attention, psychological tension, and anxiety. This evidence fits with the results of the esthetical assessment showing how, overall, atonal music is perceived as more agitating and less joyful than tonal one.

Indexed as

auditory processingdissonanceemotionsempirical musicologyheart ratemusic perceptionneuroestheticspsychophysiology

Identifiers

PMID26579029
PMCPMC4623197

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.