ArticleFrontiers in human neuroscience2015
Body language in the brain: constructing meaning from expressive movement.
Article in Frontiers in human neuroscience, 2015. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 8 papers.
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Who cites it
8 citing papers in PubMed.
- Neural encoding of biomechanically (im)possible human movements in occipitotemporal cortex.PLoS computational biology · 2025Article
- Ethics trumps resources in women's and men's evaluations of potential mates and competitors.Scientific reports · 2025Article
- Cerebellar Contribution to Emotional Body Language Perception.Advances in experimental medicine and biology · 2022Review
- Analyzing Brain Connectivity in the Mutual Regulation of Emotion-Movement Using Bidirectional Granger Causality.Frontiers in neuroscience · 2020Article
- Nonlinear neuroplasticity corresponding to sports experience: A voxel-based morphometry and resting-state functional connectivity study.Human brain mapping · 2018Article
- Dance Training Shapes Action Perception and Its Neural Implementation within the Young and Older Adult Brain.Neural plasticity · 2018Article
- Understanding Activation Patterns in Shared Circuits: Toward a Value Driven Model.Frontiers in human neuroscience · 2018Review
- Abstracting Dance: Detaching Ourselves from the Habitual Perception of the Moving Body.Frontiers in psychology · 2017Article
Corrections and comments
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Authors and funding
3 authors.
Funding
No grant is acknowledged in the PubMed record.
Abstract
This fMRI study investigated neural systems that interpret body language-the meaningful emotive expressions conveyed by body movement. Participants watched videos of performers engaged in modern dance or pantomime that conveyed specific themes such as hope, agony, lust, or exhaustion. We tested whether the meaning of an affectively laden performance was decoded in localized brain substrates as a distinct property of action separable from other superficial features, such as choreography, kinematics, performer, and low-level visual stimuli. A repetition suppression (RS) procedure was used to identify brain regions that decoded the meaningful affective state of a performer, as evidenced by decreased activity when emotive themes were repeated in successive performances. Because the theme was the only feature repeated across video clips that were otherwise entirely different, the occurrence of RS identified brain substrates that differentially coded the specific meaning of expressive performances. RS was observed bilaterally, extending anteriorly along middle and superior temporal gyri into temporal pole, medially into insula, rostrally into inferior orbitofrontal cortex, and caudally into hippocampus and amygdala. Behavioral data on a separate task indicated that interpreting themes from modern dance was more difficult than interpreting pantomime; a result that was also reflected in the fMRI data. There was greater RS in left hemisphere, suggesting that the more abstract metaphors used to express themes in dance compared to pantomime posed a greater challenge to brain substrates directly involved in decoding those themes. We propose that the meaning-sensitive temporal-orbitofrontal regions observed here comprise a superordinate functional module of a known hierarchical action observation network (AON), which is critical to the construction of meaning from expressive movement. The findings are discussed with respect to a predictive coding model of action understanding.
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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.