Evidence map›Paper›PMID 26317976›Full record

ArticlePloS one2015

Experience Changes How Emotion in Music Is Judged: Evidence from Children Listening with Bilateral Cochlear Implants, Bimodal Devices, and Normal Hearing.

Sara Giannantonio, Melissa J Polonenko, Blake C Papsin, Gaetano Paludetti, Karen A Gordon

Abstract read
In one paragraph

Article in PloS one, 2015. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 21 papers.

0numbers the graph read from it
0cells of the map it votes in
21citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

21 citing papers in PubMed.

  1. Review
  2. Article
  3. Article
  4. The perception of emotion in music by people with hearing loss and people with cochlear implants.Philosophical transactions of the Royal Society of London. Series B, Biological sciences · 2024
    Review
  5. Article
  6. Article
  7. Article
  8. Article
  9. Article
  10. Bimodal Benefit for Music Perception: Effect of Acoustic Bandwidth.Journal of speech, language, and hearing research : JSLHR · 2021
    Article
  11. Article
  12. Article
  13. Article
  14. Article
  15. Article
  16. Article
  17. Article
  18. Review
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4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

5 authors.

Sara GiannantonioDepartment of Head and Neck Surgery, Institute of Otorhinolaryngology, Catholic University of the Sacred Heart, Rome, Italy.
Melissa J PolonenkoArchie's, Cochlear Implant Laboratory, Department of Otolaryngology, The Hospital for Sick Children, Toronto, ON, Canada; Institute of Medical Sciences, The University of Toronto, Toronto, ON, Canada.
Blake C PapsinArchie's, Cochlear Implant Laboratory, Department of Otolaryngology, The Hospital for Sick Children, Toronto, ON, Canada; Department of Otolaryngology-Head and Neck Surgery, University of Toronto, Toronto, ON, Canada.
Gaetano PaludettiDepartment of Head and Neck Surgery, Institute of Otorhinolaryngology, Catholic University of the Sacred Heart, Rome, Italy.
Karen A GordonArchie's, Cochlear Implant Laboratory, Department of Otolaryngology, The Hospital for Sick Children, Toronto, ON, Canada; Department of Otolaryngology-Head and Neck Surgery, University of Toronto, Toronto, ON, Canada.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Children using unilateral cochlear implants abnormally rely on tempo rather than mode cues to distinguish whether a musical piece is happy or sad. This led us to question how this judgment is affected by the type of experience in early auditory development. We hypothesized that judgments of the emotional content of music would vary by the type and duration of access to sound in early life due to deafness, altered perception of musical cues through new ways of using auditory prostheses bilaterally, and formal music training during childhood. Seventy-five participants completed the Montreal Emotion Identification Test. Thirty-three had normal hearing (aged 6.6 to 40.0 years) and 42 children had hearing loss and used bilateral auditory prostheses (31 bilaterally implanted and 11 unilaterally implanted with contralateral hearing aid use). Reaction time and accuracy were measured. Accurate judgment of emotion in music was achieved across ages and musical experience. Musical training accentuated the reliance on mode cues which developed with age in the normal hearing group. Degrading pitch cues through cochlear implant-mediated hearing induced greater reliance on tempo cues, but mode cues grew in salience when at least partial acoustic information was available through some residual hearing in the contralateral ear. Finally, when pitch cues were experimentally distorted to represent cochlear implant hearing, individuals with normal hearing (including those with musical training) switched to an abnormal dependence on tempo cues. The data indicate that, in a western culture, access to acoustic hearing in early life promotes a preference for mode rather than tempo cues which is enhanced by musical training. The challenge to these preferred strategies during cochlear implant hearing (simulated and real), regardless of musical training, suggests that access to pitch cues for children with hearing loss must be improved by preservation of residual hearing and improvements in cochlear implant technology.

Indexed as

Cochlear ImplantsEmotionsMusicPitch PerceptionAdolescentAdultChildFemaleHumansMale

Identifiers

PMID26317976
PMCPMC4552689

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Registered trials

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.