Evidence map›Paper›PMID 25688196›Full record

ArticleFrontiers in human neuroscience2014

Sadness is unique: neural processing of emotions in speech prosody in musicians and non-musicians.

Mona Park, Evgeny Gutyrchik, Lorenz Welker, Petra Carl, Ernst Pöppel, Yuliya Zaytseva, Thomas Meindl, Janusch Blautzik, Maximilian Reiser, Yan Bao

Open access · goldAbstract read
In one paragraph

Article in Frontiers in human neuroscience, 2014. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 11 papers.

0numbers the graph read from it
0cells of the map it votes in
11citing papers in PubMed
1.2field-weighted citation impact, top 23% of its field
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

11 citing papers in PubMed, 33 citations in OpenAlex.

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4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

10 authors at 2 institutions in 4 countries.

Mona ParkInstitute of Medical Psychology, Ludwig-Maximilians-Universität Munich, Germany ; Human Science Center, Ludwig-Maximilians-Universität Munich, Germany ; Parmenides Center for Art and Science Pullach, Germany.
Evgeny GutyrchikInstitute of Medical Psychology, Ludwig-Maximilians-Universität Munich, Germany ; Human Science Center, Ludwig-Maximilians-Universität Munich, Germany ; Parmenides Center for Art and Science Pullach, Germany.
Lorenz WelkerHuman Science Center, Ludwig-Maximilians-Universität Munich, Germany ; Institute of Musicology, Ludwig-Maximilians-Universität Munich, Germany.
Petra CarlInstitute of Medical Psychology, Ludwig-Maximilians-Universität Munich, Germany ; Human Science Center, Ludwig-Maximilians-Universität Munich, Germany.
Ernst PöppelInstitute of Medical Psychology, Ludwig-Maximilians-Universität Munich, Germany ; Human Science Center, Ludwig-Maximilians-Universität Munich, Germany ; Parmenides Center for Art and Science Pullach, Germany ; Department of Psychology and Key Laboratory of Machine Perception (MoE), Peking University Beijing, China ; Institute of Psychology, Chinese Academy of Sciences Beijing, China.
Yuliya ZaytsevaInstitute of Medical Psychology, Ludwig-Maximilians-Universität Munich, Germany ; Human Science Center, Ludwig-Maximilians-Universität Munich, Germany ; Parmenides Center for Art and Science Pullach, Germany ; Moscow Research Institute of Psychiatry Moscow, Russia ; Prague Psychiatric Centre, 3rd Faculty of Medicine, Charles University in Prague Prague, Czech Republic.
Thomas MeindlInstitute of Clinical Radiology, Ludwig-Maximilians-Universität Munich, Germany.
Janusch BlautzikInstitute of Clinical Radiology, Ludwig-Maximilians-Universität Munich, Germany.
Maximilian ReiserInstitute of Clinical Radiology, Ludwig-Maximilians-Universität Munich, Germany.
Yan BaoInstitute of Medical Psychology, Ludwig-Maximilians-Universität Munich, Germany ; Human Science Center, Ludwig-Maximilians-Universität Munich, Germany ; Parmenides Center for Art and Science Pullach, Germany ; Department of Psychology and Key Laboratory of Machine Perception (MoE), Peking University Beijing, China.
Ludwig-Maximilians-Universität München · DEParmenides Foundation · DE

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Musical training has been shown to have positive effects on several aspects of speech processing, however, the effects of musical training on the neural processing of speech prosody conveying distinct emotions are yet to be better understood. We used functional magnetic resonance imaging (fMRI) to investigate whether the neural responses to speech prosody conveying happiness, sadness, and fear differ between musicians and non-musicians. Differences in processing of emotional speech prosody between the two groups were only observed when sadness was expressed. Musicians showed increased activation in the middle frontal gyrus, the anterior medial prefrontal cortex, the posterior cingulate cortex and the retrosplenial cortex. Our results suggest an increased sensitivity of emotional processing in musicians with respect to sadness expressed in speech, possibly reflecting empathic processes.

Indexed as

basic emotionsfunctional magnetic resonance imaginglanguage processingmusical trainingprosodytemporal processing

Identifiers

PMID25688196
PMCPMC4311618
OpenAlexW2058054417

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.